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Course Criteria
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3.00 Credits
Alice Kaplan. mw1-2.15 WR,Hu (0) Fr sem Memoirs and novels on the experience of being foreign in various national and psychological settings. Writers include Nabokov, Tanizaki, Baldwin, and Salih. Readings from a variety of genres, such as autobiography, field notes, and stylistic analysis. Focus on issues of exile, travel, and translation. Enrollment limited to freshmen. Preregistration required; see under Freshman Seminar Program.
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3.00 Credits
Carol Jacobs. mw 2.30-3.45 Hu (0) Fr sem Exploration of the concepts of truth, fiction, art, and representation in works of literary and filmic fiction. Emphasis on both textual interpretation and theoretical analysis. The relation between linguistic and visual signs and their claims to various kinds of truth. Enrollment limited to freshmen. Preregistration required; see under Freshman Seminar Program.
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3.00 Credits
Richard Maxwell, Ala Alryyes, Moira Fradinger, David Gabriel, David Quint. mw1-2.15 WR,Hu (0) A team-taught course that examines how narratives work and what they do. Emphasis on fictional form, the mechanics of plot, and questions of time and duration. Texts are drawn from a variety of periods and cultures, and include folktales, short stories, novels, case studies, graphic novels, and films.
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3.00 Credits
Alexander Beecroft, David Gabriel, Richard Maxwell, David Quint.
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3.00 Credits
Dudley Andrew. mwf 11.35-12.25; screeningsm6.30 p.m. WR, Hu (34) An examination of the varieties of films that have been produced around the globe. Different functions served by the medium, particularly since World War II; analysis and contextualization of selected films from four continents.
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3.00 Credits
Victor Bers. For description see under Classics.
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3.00 Credits
KirkFreudenburg. For description see under Classics.
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3.00 Credits
David Mellins. mw 2.30-3.45 Hu (0) Tr A survey of Sanskrit dramas, read in translation, and an exploration of Indian dramaturgical theory. Aesthetic, social, and historical dimensions of Sanskrit drama; the evolution of literary methods applied in dramatic context. Technical specifications for Sanskrit drama as they reflect the ritual and political cultures of classical India.
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3.00 Credits
Timothy Robinson. For description see under Classics.
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3.00 Credits
RüdigerCampe. For description see under Germanic Languages & Literatures.
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