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Course Criteria
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3.00 Credits
John Demos. For description see under History.
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3.00 Credits
hist 105a,The Formation of Modern American Culture,1750-1876
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3.00 Credits
Jean-Christophe Agnew. For description see under American Studies.
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3.00 Credits
hist106b,The Formation of Modern American Culture,1920 to the Present
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3.00 Credits
Michael Denning. tth1-2.15 WR,Hu (26) An introduction to the worlds of twentieth-century capitalism, from Ford to Sony and from Unilever to Microsoft, with particular attention to transformations in work and daily life. Topics include the metal-working cities and industrial plantations of the first decades of the century; the social and cultural upheavals of global depression and world war; the midcentury challenges of communism, social democracy, and decolonization; the rise of service economies and the shifts in women's work; the popular uprisings and cultural revolutions of the 1960s and 1970s; and the conflicts over globalization and neoliberalism in the last quarter century.
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3.00 Credits
Dolores Hayden. For description see under American Studies.
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3.00 Credits
Michael Warner. For description see under English Language & Literature.
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3.00 Credits
Paige McGinley tth11.35-12.50 Hu (0) Expressions of national identity and national feeling in American performance history. The role of live performance in generating meanings of America, including race, ethnicity, and citizenship. Performance inherent in political demonstrations, sporting events, dance, and music.
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3.00 Credits
Michael Roemer. m 2.30-5.20 Hu Meets RP (37) A study of the great American film comedians and an investigation into the psychology of laughter. Comedians from Chaplin and Keaton to the Marx brothers and Fields examined against a background of European comedy. Topics include comic form and technique, and their relevance to the American scene. Not a history of American film comedy. Priority to juniors and seniors majoring in American Studies or in Film Studies.
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3.00 Credits
James Berger. th 3.30-5.20 Hu (0) Portrayals of cognitive and linguistic impairment in modern fiction. Characters with limited capacities for language as figures of "otherness." Contemporaneous discourses of science, sociology, ethics, politics, and aesthetics. The ethics of speaking about or for subjects at the margins of discourse.
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