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FILM STUDIES 222: Fundamentals of Motion Picture Production
4.00 Credits
Connecticut College
A hands-on introduction to expression in the language of moving pictures. By designing and executing a series of short, creative production projects, students will explore how moving image techniques are used to structure meaning. Emphasis on narrative form. Topics will include composition, videography, sound, continuity editing, montage, and dramatic structure. Prerequisite: Comparative Studies in Culture/Film Studies 101 or equivalent and permission of the instructor. Preference will be given to students who have not taken a course in film production. Enrollment limited to 14 students. Meets twice weekly for three hours. D. Tetzlaff
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FILM STUDIES 227: The Films of Alfred Hitchcock
4.00 Credits
Connecticut College
This is the same course as English 227. Refer to the English listing for a course description.
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FILM STUDIES 227 - The Films of Alfred Hitchcock
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FILM STUDIES 238: Screenwriting
4.00 Credits
Connecticut College
This is the same course as Theater 238. Refer to the Theater listing for a course description.
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FILM STUDIES 238 - Screenwriting
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FILM STUDIES 243: Race And American Cinema
4.00 Credits
Connecticut College
This is the same course as English 243. Refer to the English listing for a course description.
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FILM STUDIES 288: Theory of Film
4.00 Credits
Connecticut College
This is the same course as Slavic Studies 288. Refer to the Slavic Studies listing for a course description.
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FILM STUDIES 288 - Theory of Film
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FILM STUDIES 291,292: Individual Study in Film Studies
4.00 Credits
Connecticut College
Individual Study in Film Studies
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FILM STUDIES 291,292 - Individual Study in Film Studies
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FILM STUDIES 295,296: Field Work in Film Studies
4.00 Credits
Connecticut College
Field Work in Film Studies
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FILM STUDIES 295,296 - Field Work in Film Studies
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FILM STUDIES 311: Representing Gender
4.00 Credits
Connecticut College
An examination of the construction of gender in mainstream narrative film in the light of contemporary film theory and criticism. The work of independent women and gay film makers forms a secondary focus of the course. Films by American and German film makers. Open to juniors and seniors, and to sophomores with permission of the instructor. Enrollment limited to 20 students. Staff
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FILM STUDIES 321: Documentary Theoryandproduction
4.00 Credits
Connecticut College
How moving pictures can be used to explore, communicate about, and creatively represent reality-and the issues of 'truth', ethics, and social power that arise from these practicesfrom the standpoint of both producers and critical viewers. Documentary production techniques, reading and discussion of scholarly literature in documentary history, theory and criticism. Short film projects and analytical papers and presentations are required. Prerequisite: Comparative Studies in Culture/Film Studies 101 or permission of the instructor. Enrollment limited to 12 students. D. Tetzlaff
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FILM STUDIES 321 - Documentary Theoryandproduction
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FILM STUDIES 362: Experimental Film: Historyandpractice
4.00 Credits
Connecticut College
An introduction to the history of American experimental film, selected major figures and movements. In addition to viewing, discussing and writing about these films, students will produce their own experimental pieces in a series of short projects using Super-8 and 16mm film for acquisition, and Final Cut Pro for editing. As such, the course also serves as a brief introduction to photo-chemical filmmaking. Prerequisite: Course 222, 321, 410, or permission of the instructor. Enrollment limited to 14 students. Staff
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FILM STUDIES 362 - Experimental Film: Historyandpractice
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