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Course Criteria
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1.00 Credits
Three intensive workshops focusing on the development of independent cinema post-production skills. The instructor must certify students in order to continue with their BFA studies. Prereqs., FILM 1502, 2500, and 2000 or 2300. Coreq., FILM 3400. Restricted to BFA film studies majors.
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3.00 Credits
Focuses on the production process of movie making from idea through distribution, analyzing each of the five phases involved, including the major players, function and problems inherent in each. Emphasizes the critical role the script plays in this process. Designed to give students a "map of the minefield" before venturing out on their own. Offered through Continuing Education.
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3.00 Credits
Through projects, discussions, and screenings, this class explores the practices and aesthetics of computer-based moving-image art editing. Restricted to FMST majors or instructor consent required.
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3.00 Credits
Historical and aesthetic overview of sound in relation to film, ranging from Hitchcock's Blackmail to Mailick's The Thin Red Line. Pursues issues in sound design, mixing film scores, voiceovers, and film/sound theory in narrative, experimental, and documentary films. Among the filmmakers to be studied are Vertov, Welles, Altman, Brakhage, Lipsett, Eisenstein, Coppola, Scorcese, Stone, Leone, Godard, Nelson. Also explores a limited practicum using Pro Tools for sound design. Prereq., FILM 1502. Recommended prereq., FILM 3051.
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3.00 Credits
Explores the application of the technical methods of production for coherent, expressive purposes. Using classic, independent, and experimental films and videos as models, learn how to use light/shadow, composition, editing, and sound for the articulation and interpretation of content. Prereqs., FILM 1502 and 2000. Recommended prereq., FILM 2500 or 2600.
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3.00 Credits
Instructs students in the making of digital animation. Covers the use of the exposure sheet, frame series manipulation, digital motion techniques, and an analysis of pertinent films. Emphasis is on digital tools to create individual, personal, or experimental animated works. Includes experimental techniques of transfer between digital media and film. Prereq., FILM 2610 or instructor consent. Recommended prereqs., FILM 3030 and FILM 3400 or 3600.
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3.00 Credits
Studies and applies Pro Tools as a post-production audio toolbox. Applied techniques include sound recording, sound editing, field recording, foley, vocal recording and editing, plug-in generated sound creation, MIDI, basic scoring principles, audio sweetening, and audio mixing. Students will be required to complete regular editing assignments in addition to a final soundscape project. Prereq., FILM 2000, 2500 or 2600, and 3400 or 3600. Restricted to BFA majors.
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1.00 - 3.00 Credits
May be repeated up to 6 total credit hours.
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1.00 - 3.00 Credits
May be repeated up to 6 total credit hours.
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3.00 Credits
Learning aspects of professional development in the field of cinema. Through workshops and assignments students will learn of the many opportunities found within all areas of production. Guests will help inform the students of professional options and expectations. Topics will include: crew work, fund raising, marketing festivals, low budget filmmaking, and alternative venues. Students may have an internship concurrently with this course. May be repeated up to 6 total credit hours. Prereq., FILM 2500 or 2500, or instructor consent. Recommended restriction to BFA Film Majors.
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