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Course Criteria
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3.00 Credits
Historical-aesthetic survey dealing with various national cinemas, taught in conjunction with the appropriate language department. Typical offerings are the French film, the German film, the Russian film, and so on. Also offers a more detailed approach to a more restricted subject, i.e., film comedy, women filmmakers, German expressionist cinema, Italian neorealism. May be repeated up to 12 total credit hours within the same term with departmental consent. Restricted to FILM/FMST majors. Non-majors will need instructor's consent.
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3.00 Credits
Focuses on the work of a single director or a group of related directors. Course content varies each semester. Consult the online Schedule Planner for specific topic. May be repeated up to 12 total credit hours with departmental consent. May be used for partial fulfillment of a college requirement only once. Restricted to FILM/FMST majors. Non-majors need instructor consent.
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3.00 Credits
Intensive, critical investigation of the films of one of cinema's greatest directors, Alfred Hitchcock. Concepts to be examined include authorship, desire, gender, and film acting. Critical and theoretical writings about Hitchcock are explored. Paper and exams required. Restricted to FILM/FMST majors. Non-majors will need instructor's consent.
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3.00 Credits
Film comedies constitute one of cinema's most accomplished genres. This is a critical, historical, and theoretical investigation of silent, classical, and contemporary film comedy. Works by Chaplin, Keaton, Hawks, Cukor, Woody Allen, and others will be explored. Papers, exams required. Recommended prereq., FILM 1502.
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1.00 - 3.00 Credits
Offers students both theoretical and practical experience in various specialized areas of cinematic production. Topics vary but include production in the documentary, fictional narrative, animation, computer animation, and experimental genres. May be repeated up to 6 total credit hours. Prereq., FILM 2000 or 2300.
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3.00 Credits
Provides a historical and theoretical introduction to the documentary film. Examines the historical beginnings of documentary film as well as exploring contemporary documentary practice. Canonical moments of documentary history and lesser known examples of documentary film work will be explored. Prereq., FILM 1502. Recommended prereq., FILM 3051.
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3.00 Credits
Examines the representation of women both in mainstream movies and in women's counter-cinema that resists traditional form, content, and spectator-text relationships of Hollywood models. Emphasizes work by key women filmmakers such as Margarethe Von Trotta, Lizzy Borden, and Yvonne Rainer, as well as readings in feminist film theory. Approved for arts and sciences core curriculum: cultural and gender diversity.
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3.00 Credits
The basic themes of C. G. Jung's archetypal psychology (shadow, anima/animus, character typology, and individuation) are studied and applied as tools of critical analysis to selected films and literary texts of the modern period. Prereq., instructor consent. Same as HUMN 3015.
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3.00 Credits
Presents an introduction to the concept of photoplay, as movies used to be called, and will show in chronological order almost every film made based on the plays of Eugene O'Neill and Tennessee Williams. Prereq., FILM 1502. Recommended prereq., FILM 3051.
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3.00 Credits
Explores alternative methods of film processing and filmic image manipulation. Through projects, film screenings, lectures and discussions students will learn fine arts approaches to creative control for the moving image. Prereq., FILM 1502, 2500 or 2600, 2000 or 2300, or instructor consent. Restricted to BFA majors.
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