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Course Criteria
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3.00 Credits
Explores, through close reading and original student work, the form and structure of the screenplay from the writer's perspective. Students will begin by analyzing structural and character elements of such screenplays as Chinatown and Witness, then analyze screenplays of their choosing. Students will learn the basics of screenwriting form, then develop and write 10 minutes of an original screenplay. Prereq., FILM 1502.
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3.00 Credits
Covers basic camera, editing, and splicing techniques for Super-8 film. Equipment is available at the film studies office for a modest rental fee. Prereq., FILM 1502 or instructor consent.
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3.00 Credits
Study of films designed as trilogies, drawing on a wide range of international cinema. Films include Satyajit Ray's Apu Trilogy (India), Krzysztof Kieslowski's Three Colors Trilogy (Poland), Francois Truffaut's Antoine Doinel cycle (France), and Abbas Kiarostami's Iran Trilogy (Iran). Restricted to FILM/FMST majors. Non-majors will need instructor's consent.
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3.00 Credits
Explores the evolution of melodrama as a film genre from the 1910s to the Hollywood classical era and contemporary cinema, and the genre's adaptability to different historical cultural contexts outside of American cinema. Analyzes the political and cultural functions of melodrama in contexts ranging from classical Hollywood to Latin American cinema, from European films of the 1960s to revisionist films of the 1990s. Prereq., FILM 1502. Recommended prereq., FILM 3051. Restricted to FILM/FMST majors. Non-majors will need instructor's consent.
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3.00 Credits
Film production class focusing on developing a basic understanding of the aesthetics and principles of Cinematography. Through projects, screenings, and critiques, students learn creative camera lighting processes. Prereqs., FILM 1502 and 2000 or 2300 with an averaged combined grade in these two courses of 3.00, with a minimum overall GPA of 2.0. Restricted to film majors.
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3.00 Credits
Surveys the major Asian directors from China, India, Japan, Taiwan, and Vietnam. Recommended prereq., FILM 1502. Restricted to FILM/FMST majors. Non-majors will need instructor's consent.
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3.00 Credits
Surveys the classics of international cinema from the 1960s to the present. Recommended prereq., FILM 1502. Restricted to FILM/FMST majors. Non-majors will need instructor's consent.
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3.00 Credits
Includes analysis of independent and experimental animation and an introduction to various animation techniques (object, line, collage, sand or paint on glass, Xerox, cameraless, pixellation, etc.). Students produce exercise films and a final film exploring these techniques. Prereq., FILM 2000. Recommended prereq., FILM 2500 or 2600.
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3.00 Credits
Eighteen films depict our capacities for good and evil. Topics addressed include the following: the Holocaust, Jung's concept of "the Shadow," the Seven Deadly Sins, altruistic and sociopathic personalities, capital punishment, the redemptive narrative, and the satanic in film. Same as FARR 2510. Approved for arts and sciences core curriculum: ideals and values.
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3.00 Credits
Covers the basics of "why you need lighting", color temp, as well as camera techniques, lighting theory, and lighting set-ups for still and motion picture film video. Emphasizes hands on as well as theory. Prereq., FILM 2000 or 2300. Recommended prereq., FILM 1502.
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