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MFA 684: Narrating Nonfiction
3.00 Credits
University of San Francisco
Through the close reading of full-length books and nonfiction "stories," this course examines how writers of nonfiction bring narrative momentum to their work through fictional structures and techniques. Particular attention is paid to the work of exemplary authors who rely upon scene crafting, characterization, dialogue, point of view and chronological frames. Offered in the Spring.
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MFA 686: Visionary Poetics
3.00 Credits
University of San Francisco
The study of Visionary Poetries, focusing on Romantic, Mystical, and Ecstatic traditions from the Biblical era to the contemporary period. Students will examine texts and literary philosophy that encourage transcendental loss-of-self as a foundation of poetic practice, and adapt strategies for their own writing. Offered in the Spring.
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MFA 687: Deepening Prose
3.00 Credits
University of San Francisco
An investigation of how literary fiction attains depth, and how complex layers of meaning converge in a single novel or novella. This course encompasses works noted for their psychological, social, intellectual, and spiritual import. Students undertake the study of this fiction to help them develop and advance thematic strains in their own writing. Readings include works in translation as well as those written in English. Offered in the Spring.
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MFA 688: Finding Form:Novellas and Story Cycles
4.00 Credits
University of San Francisco
This course is a study of two "in-between" forms in fiction: the story cycle (or "collection of linked stories" or "novel in stories") and the novella (or "long story" or "short novel"). It offers models and strategies for writers interested in how plans for a novel might be compressed, conceptually and actually, into the novella, and for writers ready to multiply their short stories into a larger cycle. Means for finding the appropriate form for given material are developed, with attention paid to the evolving needs of character, setting, imagery, and theme.
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MFA 689: Major Project I
3.00 Credits
University of San Francisco
Students work with individual Major Project instructors to formulate, plan, and begin to execute the Major Project. Offered in the Summer.
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MFA 690: Special Topics
3.00 Credits
University of San Francisco
These courses emphasize particular aspects of literary craft. Topics vary from year to year.
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MFA 690 - Special Topics
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MFA 699: Major Project II
3.00 Credits
University of San Francisco
Students work with individual Major Project instructors to formulate, plan, and begin to execute the Major Project. Offered in the Summer.
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MSIS 611: Data Base
3.00 Credits
University of San Francisco
Presents the concepts, principles, issues, and techniques for managing corporate data resources; techniques for managing design and the development of large database systems. The emphasis is on developing a thorough understanding of the principles of data modeling and the conversion of data models into working database systems.
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MSIS 611 - Data Base
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MSIS 612: Analysis,Modeling and Design
3.00 Credits
University of San Francisco
Studies the systems development life cycle, analysis and design techniques, information systems planning and projects identification and selection, requirements collection structuring, process modeling, data modeling, interface design and data management, system implementation and operation, system maintenance, and change management implications of systems. The course utilizes current methods and tools, such as rapid application development, prototyping, and visual development.
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MSIS 613: Communications and Networking
3.00 Credits
University of San Francisco
Examines telecommunication fundamentals, including data, voice, image, and video. The concepts, models, architectures, protocols, standards, and security for the design, implementation, and management of digital networks are studied, as well as local and wide networks, transmission and switching efficiency, and regulatory and technical environments. Topics include security, e-commerce, web sites, and middleware.
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