Course Criteria

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  • 4.00 Credits

    A study of prose and poetry written by women in America: African-American, Asian, Chicana, American Indian, West and East Indian. The course will focus on questions raised about historicity, race, class, and gender, and the function of writing in addressing such social dynamics. Beyond this inquiry, the course will address issues related to compound identities and communities, class position and education, the construction of sexuality, the formation of collective ethnic or racial consciousness, and women's communities. Writers may include Hurston, Larsen, Morrison, Kingston, Erdrich, Andalzua, Muhkerjee, and others. Also listed as WS 2154. IV W
  • 4.00 Credits

    A study of African American writing that explores the portrayal of urban experience following the Great Migration. The class will read fiction, drama, and non-fiction narratives, listen to jazz, and watch films in order to examine how race, class, and gender shape life in American cities and how literary representation has changed historically. Writers may include Charles Chesnutt, Nella Larsen, Richard Wright, Ann Petry, Gwendolyn Brooks, Paule Marshall, Amiri Baraka, and Toni Morrison. IV
  • 4.00 Credits

    An introduction to the critical study of popular culture. Texts will be selected from a variety of media (print, film, television, or comic books, etc.) so as to open questions of genre (detective, romance, or thriller, etc.). The critical contexts will provide students with the opportunity to investigate the cultural and political implications of popular forms and to consider the role of popular fiction in contemporary life. Media and genres considered may change from term to term. IV
  • 4.00 Credits

    A study of selected fiction, poetry, drama, and nonfiction by Southern writers. The course will address ways in which these writers both reflect and create what come to be considered cultural realities about the region, the relationship between the history of the area and its literature, and the continued existence of the South as a distinctive region within the United States. Writers may include Jefferson, Poe, Twain, Chesnutt, Chopin, the Nashville Agrarians, Hurston, Faulkner, Tennessee Williams, O'Connor, Welty, Gaines, Walker, and Allison. IV
  • 4.00 Credits

    A study of South African fiction written between 1960 and the first fully democratic elections of 1994. The course includes some of the key issues addressed by writers such as J.M. Coetzee, Nadine Gordimer, Bessie Head, Alex La Guma, and Njabulo Ndebele as they lived through the effects of apartheid. Guiding this exploration will be an awareness of developments in the new South Africa as it seeks to come to terms with the violence and racialism of its past. Inclusion of journalistic and video material will provide assistance in understanding the relevant historical and social contexts. IV
  • 4.00 Credits

    Study of an author, period, or problem not fully treated in other English courses. Topics change from term to term and are announced in advance. May be repeated for credit. Standard or CR/NC grading. IV
  • 4.00 Credits

    Astudy of ways in which popular culture in the U.S. shapes assumptions about nature. The course provides students with a critical language designed to illuminate cultural products in a variety of media (print, film, television, etc.) as well as those aspects of daily life which communicate ideas of nature implicitly. This course will treat a range of topics in relation to environmental concern, including, for example, gender, wilderness, food, tourism, labor, and the sciences. IV
  • 4.00 Credits

    A study of poetry written in the U.S. after 1945, with a focus on poetry's relation to culture. Each course will examine developments in poetic form through reading a selection of representative poems. The focus thereafter will change from term to term, with possible emphasis on, for example, the Beats, African-American or Native American writing, or poetry by women. Instruction will involve students in some creative writing. Prerequisite: none, but ENG 1134 recommended. IV
  • 4.00 Credits

    A study of great British writers from the Anglo-Saxon period through the Restoration. Included are such figures as Chaucer, Spenser, Shakespeare, Milton, and Donne. Prerequisites: Sophomore standing, completion of one ENG Area II course, or permission of instructor. III B or IVW
  • 4.00 Credits

    A survey of important British literature from the mid-seventeenth century to the present that examines ways in which literary artists both adapted to and reproduced the cultural changes associated with modernity, while dealing with modernity's evolving social and political circumstances. The course will explore a complex cultural tradition in its social context and will include such writers as Addison, Wollstonecraft, Wordsworth, Dickens, Hardy, Woolf, and Hughes. May be used to satisfy a distribution requirement in Western tradition. Prerequisites: Sophomore standing, completion of one English Area II course, or permission of instructor. III B or IV W
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