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Course Criteria
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1.50 Credits
Supervised activities in Music and/or Music Performance for students who desire or require additional help in attaining comprehension and competency in learning skills in a music subject area. Supervised by a music faculty member. Advisory: Pass/No Pass. Repeatability: Any combination of MUS 190, 190X, 190Y & 190Z may be taken for a maximum of 12 units. Four and one-half hours laboratory. GE Area: Non-GE Applicable
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2.00 Credits
Supervised activities in Music and/or Music Performance for students who desire or require additional help in attaining comprehension and competency in learning skills in a music subject area. Supervised by a music faculty member. Advisory: Pass/No Pass. Repeatability: Any combination of MUS 190, 190X, 190Y & 190Z may be taken for a maximum of 12 units. Six hours laboratory. GE Area: Non-GE Applicable
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4.00 Credits
Development of the symphony and concerto from the late 16th Century to the present. Emphasis on musical elements (compositional technique, performance practice and musical style) and on the forms' reflection of the social, religious, political and aesthetic values of each time period. Special focus on works currently being performed by local orchestras. Advisory: MUS 1 recommended. Four hours lecture. GE Area: Non-GE Applicable
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4.00 Credits
Introduction to the great composers and music masterpieces of Western culture. Includes composer biographies with emphasis on how composers synthesize or transform the aesthetic ideals of their time. Examines how composers' music reflects their own lives as well as mirrors contemporary social, political, and religious events. Historical periods include the Ancient World and the Medieval, Renaissance, and Baroque eras. Composers include Josquin, Lassus, Palestrina, Monteverdi, Purcell, Vivaldi, Handel and Bach. Four hours lecture, two hours laboratory. GE Area: Humanities
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4.00 Credits
Introduction to the great composers and music masterpieces of Western culture. Includes composer biographies with emphasis on how composers synthesize or transform the aesthetic ideals of their time. Examines how composers' music reflects their own lives as well as mirrors contemporary social, political, and religious events. Historical periods include the Classical period up through early Romanticism. Composers include Gluck, Haydn, Mozart, Beethoven, Schubert and Weber. Four hours lecture, two hours laboratory. GE Area: Humanities
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4.00 Credits
Introduction to the great composers and music masterpieces of Western culture. Includes composer biographies with emphasis on how composers synthesize or transform the aesthetic ideals of their time. Examines how their music reflects their own lives as well as mirrors contemporary social, political, and religious events. Historical period is mid-19th Century Romanticism through the present. Composers include Schumann, Chopin, Mendelssohn, Brahms, Berlioz, Liszt, Tchaikovsky, Mussorgsky, Strauss, Verdi, Wagner, Bizet, Debussy, Ravel, Ives, Cowell, Bartok, Berg, Webern, Stravinsky, Copland, Varese, Babbitt, Cage, Crumb, Ligeti, Penderecki, Reich, Glass and Adams. Four hours lecture, two hours laboratory. GE Area: Humanities
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1.00 Credits
Formerly: MUS 34 A seminar in directed readings, discussions and projects in music. Prerequisite: Honors Institute participant. Advisory: Not open to students with credit in MUS 34. One hour lecture. GE Area: Non-GE Applicable
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2.00 Credits
A laboratory course involving an approved student project in music such as theory, history and literature, and applied music. Performances or music productions for community musical events may be planned and executed in this class. Repeatability: May be taken six times for credit. Six hours laboratory. GE Area: Non-GE Applicable
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5.00 Credits
Introduction to the fundamentals of music and their application to composition and music literature. Notation, scales, intervals, triads, and their use in basic composition. Advisory: MUS 12A strongly recommended. Four hours lecture, three hours laboratory. GE Area: Humanities
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5.00 Credits
Continuation of common practice procedures in music and their application to composition and music literature. Seventh chords, cadential chordal structures, secondary dominants and leading tone chords, modulation, binary and ternary form, sonata-allegro form, and variation technique. Advisory: MUS 3A proficiency or equivalent. Four hours lecture, three hours laboratory. GE Area: Humanities
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