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FILM 100: History of Film Theory
4.00 Credits
University of California-Berkeley
The study, from an historical perspective, of major theorists of film.
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FILM 100 - History of Film Theory
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FILM 108: Special Topics in Film Genre
4.00 Credits
University of California-Berkeley
The study of films as categorized either by industry-identified genres (westerns, horror films, musicals, film noir, etc.) or broader interpretive modes (melodrama, realism, fantasy, etc.).
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FILM 108 - Special Topics in Film Genre
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FILM 129: History of Avant-Garde Film
4.00 Credits
University of California-Berkeley
This course is a survey of the rich history and aesthetics of the international film Avant-Garde from the 1920s to the present. The course explores the development of a range of experimental film forms and practices, situating them in relation to the larger artistic, social, and intellectual contexts in which they arise. We look at the ways artists have not only created new film languages in order to epress their unique ideas and vision, but also how they inverted alternative modes of production, distribution, and exhibition for their work. We examine the major formal modes of Avant-Garde cinema, moving between historical and current developments. These include abstract, surrealist/Dada, psychodrama, the lyric film-poem, autobiographical, materialist and structural forms, political and activst, new narrative, recycled cinema, the film essay, feminist and queer cinemas, as well as expanded forms such as installation and web based cinema.
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FILM 129 - History of Avant-Garde Film
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FILM 140: Special Topics in Film
4.00 Credits
University of California-Berkeley
Selected topics in the study of film.
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FILM 140 - Special Topics in Film
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FILM 151: Auteur Theory
4.00 Credits
University of California-Berkeley
The study of films from the perspective of directorial style, theme, or filmmaking career.
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FILM 151 - Auteur Theory
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FILM 180A: Screenwriting
4.00 Credits
University of California-Berkeley
The course explores the art and craft of writing a feature-length, narrative screenplay. Participants present three story ideas to the class, develop one concept into a detailed treatment, and write the first act of the script in professional screenplay form. The focus is on rewriting, with regular presentations of outlines and scripts to fellow writers. The emphasis is on story structure, character development, and screenplay form.
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FILM 180A - Screenwriting
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FILM 180B: Screenwriting
4.00 Credits
University of California-Berkeley
The course explores the art and craft of writing a feature-length narrative screenplay. Participants begin with a detailed outline of a narrative script and a portion of the script in proper form and develop it into a completed screenplay. The focus is on rewriting, with regular presentations of scenes to fellow writers. Participants also write short scripts and explore alternative story structure. The emphasis is on characterization, scene structure, visual story telling, dialogue, and creating a unified script. The class culminates with reading of completed scripts.
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FILM 180B - Screenwriting
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FILM 197A: Field Study at the Pacific Film Archive
2.00 Credits
University of California-Berkeley
Students will learn about film bibliography and research materials. Interns will get a thorough orientation to the Pacific Film Archive library through introductory lectures and training sessions. Then, for three hours per week, they will help organize materials for inclusion in the clippings files. Interns will gain experience in library organization and film bibliography, as well as a broad knowledge of the kinds of film reviews and criticism found in a variety of sources.
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FILM 197A - Field Study at the Pacific Film Archive
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FILM 197B: Field Studies for Majors
3.00 Credits
University of California-Berkeley
The supervised field program may include experience in a broad range of pre- and post-production film and video production related activities. The student will develop the field experience and its relationship to academic training with a member of the faculty on the Film Advisory Committee. Faculty sponsor and student will establish individual meeting times and academic requirements for acceptable completion of the course. Commitment to at least nine hours of field work per week.
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FILM 197B - Field Studies for Majors
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FILM 197C: Film Curating Internship
2.00 Credits
University of California-Berkeley
Experience "behind-the-scenes" at the Pacific Film Archive! Interns will learn about film curating through creating a program of works by UC Berkeley students to present at PFA the following spring semester. Students will solicit films and videos, preview them, and make a final selection as a group. Students will write short analyses of local film exhibition programs and will do projects related to PFA's ongoing exhibition program.
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FILM 197C - Film Curating Internship
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