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Course Criteria
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1.00 Credits
One hour lecture, three hours lab weekly (eight weeks). Advisory: Family and Consumer Sciences 120. A study of cake making including mixing, baking, assembling, filling and frosting with American layer, European style, and wedding cake assembly. Client relations and business practices for wedding cake sales is covered. (GR/P/NP) (S,U)
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1.00 Credits
One hour lecture, three hours lab weekly (eight weeks). Advisory: Family and Consumer Sciences 120. Instruction in cake decorating techniques including assembling and icing cakes and pastry bag work for borders, lace, string work, writing, and flowers. Cake design, colors, construction, evaluation, and decorations of marzipan, pastillage, and nougatine will be covered. (GR/P/NP) (F)
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1.00 Credits
Three hours lab weekly. Advisory: Completion of or concurrent enrollment in Family and Consumer Sciences 140. Projects are selected by the student and developed under the direct counseling and guidance of an instructor. Provides students with the practical application of industry, couture, and costuming techniques to construct garments and develop the necessary occupational skills for successful employment. Emphasis is on comparative methods, techniques, and equipment. Students may enroll for any combination of FCS 360 and FCS 361 for a total of four semesters. (P/NP) (F,S,U)
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0.50 Credits
One and one-half hours lab weekly. Advisory: Completion of or concurrent enrollment in Family and Consumer Sciences 140. Projects are selected by the student and developed under the direct counseling and guidance of an instructor. Provides students with the practical application of industry, couture, and costuming techniques to construct garments and develop the necessary occupational skills for successful employment. Emphasis is on comparative methods, techniques, and equipment. Students may enroll for any combination of FCS 360 and FCS 361 for a total of four semesters. (P/NP) (F,S,U)
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3.00 Credits
Two hours lecture, two hours lab weekly. Acceptable for credit: CSU, UC An introduction to a variety of international film styles, themes, and directors, as well as to the art of the documentary and experimental film. Emphasis is placed on ways films communicate through acting, photography, sound, and editing. (GR/P/NP) (F)
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3.00 Credits
Two hours lecture, two hours lab weekly. Acceptable for credit: CSU, UC The development of American film through critical appraisal of major directors' works from both the sound and silent eras. The films examined are representative of their directors as artists and of major social, cultural and aesthetic movements within the film industry and country. (GR/P/NP) (S)
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3.00 Credits
Two and one-half hours lecture, two hours lab weekly. Acceptable for credit: CSU, UC A study of recent Latino cinema in the Americas in a historical and cultural context. Representation of Latino culture is examined in the context of the global Hollywood structure and in light of various national cinemas. Major social, cultural and aesthetic movements within Latino cinema are explored. (GR/P/NP) (S)
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3.00 Credits
Three hours weekly. Acceptable for credit: CSU A study of the technique of screenwriting for the conventional narrative film and for television. Students will be required to complete writing exercises, a treatment, and master scenes of a full-length project. (GR/P/NP) (F,S)
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3.00 Credits
Three hours weekly. Prerequisite: Film 105. Acceptable for credit: CSU An advanced course in which students will gain professional insight into scriptwriting techniques for film and television. Designed to provide students with the skills needed for scripting complex narrative stories. (GR/P/NP) (F,S)
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3.00 Credits
Three hours weekly. Acceptable for credit: CSU, UC An examination of the rise of various national cinema movements shaped by conspiring artistic, cultural, and economic factors in the wake of World War II through the modern era. Social, historic and artistic context provided through comparison and contrast to the Hollywood model of filmmaking, as well as the screening and critical analysis of films by noted international directors. (GR/P/NP) (S)
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