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  • STAT 497: Independent Study: Statistics

    3.00 Credits
    Williams College

    Directed independent study in Statistics. Prerequisite:    Permission of the department
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  • STAT 498: Independent Study: Statistics

    3.00 Credits
    Williams College

    Directed independent study in Statistics. Prerequisite:    Permission of the department
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  • THEA 103: Acting I

    3.00 Credits
    Williams College

    This course deals with the development of intellectual and emotional resources required for the actor and will explore an acting technique based on the work of Russian actor and director Constantin Stanislavsky. Students will examine the power of public presence through theory and practice while expanding their talents, sensitivity, and imagination.
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  • THEA 104: Critical Approaches to Theatre and Performance

    3.00 Credits
    Williams College

    This introductory critical survey course will explore a variety of theatre and performance traditions from around the globe, from antiquity to the present day. Through close analysis of select texts and performance practices in a seminar format, the course will consider what role theatre plays in the establishment and growth of culture, politics, and aesthetics. Topics may include: Ancient Greek theatre, Classical Indian performance, Renaissance English theatre, Japanese Noh and Kabuki, popular American traditions, modern European theatre, and postmodern performance. Films and other media will be utilized when relevant. Regular in-class visits to the Williams College Museum of Art will occur, as well. This course meets the criteria of the Exploring Diversity Initiative as it engages in a cross-cultural investigation of performance and explores how theatre is deeply embedded in power relations.
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  • THEA 204: Acting II

    3.00 Credits
    Williams College

    Students will continue to develop technical skills, and the emotional and intellectual resources, required for the actor. The focus will be on the issues of characterization, textual understanding and emotional depth. The means of study and experimentation will be intense scene work requiring thorough preparation and creative collaboration. Improvisation and other exercises will be used to complement the textual work. The dramatic texts providing scenes for class will be from the early realist works onward. Prerequisite:    Theatre 103 or permission of instructor
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  • THEA 205: The Culture of Carnival

    3.00 Credits
    Williams College

    Carnival is a regenerative festival as well as a transgressive one. It is a time for upheavals and recreating for one day, a new world order. Men dress as women, women dress as men, the poor become kings; drink and sex and outrageous behavior is sanctioned. We will look at festivals in such places as New Orleans, Venice, and Rio. Central to this course are the cultural and religious lives of these societies, and how these festivals exist politically in a modern world as theatre and adult play. A variety of sources will be used, such as newspaper accounts, films, photography, personal memoirs and essays on the subject.
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  • THEA 214: Playwriting

    3.00 Credits
    Williams College

    A studio course designed for those interested in writing and creating works for the theatre. The course will include a study of playwriting in various styles and genres, a series of set exercises involving structure and the use of dialogue, as well as individual projects. We will read and we will write, beginning with small exercises and working toward a longer final project. Students will be expected to share in each other's work on a weekly basis, and to collaborate with students enrolled in Directing. At the end of the term, we will share our collaborative work with the community as part of an informal Playwriting Festival.
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  • THEA 215: Music Theater in World Cultures

    3.00 Credits
    Williams College

    Although the term "music theater" came to prominence in the twentieth-century, expressive forms that synthesize the verbal, plastic, kinesthetic and illusionary arts have existed since antiquity. This is true across cultures worldwide. From Africa to the Americas, Europe, Asia and the Middle East, music, narrative, masquerading, puppetry, costuming, dance and, more recently, electronic media have been integrated in unique ways, giving humankind a crucial apparatus for ritual enactment, religious expression, moral instruction, entertainment and activism. This course surveys a select range of musical-theatrical traditions, including ancient Greek drama, Indian Sanskrit plays, Beijing opera, Japanese Noh theater, Yoruba alarinjo theater, Bollywood and Broadway musicals. We will investigate the role of music theater in society, giving attention to the historical, economic and political contexts that have fostered distinctive genre manifestations. As an EDI course, the overarching aims of the class will be to explore the relationship between ideology and aesthetics, and the role of performance in constructing representations of self and other.
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  • THEA 244: Introduction to Theatre Technology

    3.00 Credits
    Williams College

    As an overview of performance spaces, production technologies and methods, the course will examine how and where plays are performed, produced, and designed. Students will attend lectures, participate in labs in drafting and technical production, and will be required to participate on the production crew of one or more departmental productions.
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  • THEA 248: The Modern Theatre: Plays and Performance

    3.00 Credits
    Williams College

    A survey of major trends in playwriting and performance practice from the late nineteenth century to the end of the twentieth. We will read major playwrights from a variety of national traditions, always considering their works in the context of evolutionary and revolutionary transformations of theatre practice. Artists and movements may include Realism and Naturalism (Stanislavsky, Antoine, Ibsen, Strindberg, Chekhov, Shaw), the Epic Theatre (Brecht, Piscator), The Theatre of Cruelty (Artaud), the "Absurd," (Beckett, Genet, Pinter) the collectivist avant-garde (Grotowski, Living Theatre, Open Theatre), and more recent playwriting.
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