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Course Criteria
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3.00 Credits
3 credits This course extends the concept of portrait to include narrative fiction, formulist interpretation, fashion, and conceptual approaches. Participants examine portraits of individuals, groups and subcultures, and self-portraits. The way in which portraiture has been realized by artists and documentarians in fine art, cinema, and multi-media is considered.
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3.00 Credits
3 credits This course involves A critical inquiry into the origins, evolution, and contemporary practice of photojournalism. The emphasis is on working methods of major photojournalists; alternative approaches to covering events; synergy of image and text; logistics and ethics of reporting; bias (cultural, national, personal) versus point of view; and the extended reach of contemporary photojournalism into the realms of broadcast news and the world wide web.
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3.00 Credits
3 credits This is an advanced level course designed to allow each student to work on A single documentary. Students are introduced to the techniques, planning and practical decisions involved in A successful documentary project. There are visits by working photojournalists; viewing and discussion of documentary films and exhibition; articles to be analyzed; and critiques of documentaries. Prerequisite: IPHOT 2320.
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3.00 Credits
3 credits This course combines readings and discussion with production and critique. Photography & Power examines the ways photographers and their work impact people's everyday lives. Critical readings and review of photographs in the contexts of political and advertising campaigns, spreads, and monographs that re-present photographs removed from their original intent are used to explore how photographers, editors, and the photographs themselves influence viewers' lives. This course is recommended for photography and graphic design students interested in the power of the photographic image upon culture. Prerequisite: IPHOT 1310.
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3.00 Credits
3 credits The Constructed Image concentrates on conceptual portraiture and self ? Cportraiture, still life, and tableau. The evolution, and evolving perceptions of photographic subject, from objective description to subjective depiction in contemporary image making are explored. Prerequisite: IPHOT 1310.
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3.00 Credits
3 credits This course examines and explores varied approaches to the art of Cinema and the translation of literature into film, as well as narrative and analytic writing, and creative visual response. The intention of the course is to provide the student with an understanding of how creative responses to art, in A variety of media, can be a source and A resource for personal work. Using the translation of literature into film as A basis, This course introduces and illuminates literary and cinematic methods of analysis and resynthesis. Over the course of the semester, the class views films and is assigned to read, or see, the original source in conjunction with written and visual assignments. Prerequisites: IPHOT 1310, IPHOT 2420.
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3.00 Credits
3 credits For serious, intermediate/advanced documentary photographers who wish to participate in an experimental course. Using still photography camera, conversations and themes of Noir are drawn upon. The work of such film directors as Orson Wells, Billy Wilder, Edgar Ulmer and Roman Polansiki, and the wiring of Raymond Changlerm Dashiell Hammett, Edgar Allen Poe and Charles Bukowski are drawn upon.
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3.00 Credits
3 credits A reading and discussion oriented course for advanced students interested in photography, video, and digital media. Selected readings offer participants an expanding frame of reference for developing concepts and creative work. Contemporary themes and ideas are examined and explored in the work of photographically based media artists. Prerequisites: IAHIS 1300, IPHOT 2330.
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3.00 Credits
3 credits The computer is an evolving tool transforming the medium of photography. This technology is rapidly changing the way photographers and artists work with images. The marriage of traditional and digital photographic process offers enhanced flexibility and control, and A significant increase in opportunities for individual, creative expression. Digital Imaging I explores the interaction of old and new in A number of key areas. Classroom sessions provide opportunities for exploration, evaluation, and discussion of the implications of digital technology in relation to the individual student's aesthetic. Field trips to service bureaus and production facilities broaden awareness of the rapidly expanding digital world. Prerequisites: Foundation Seminar II, Intro to Photoshop or equivalent.
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3.00 Credits
3 credits Digital Media I is an intermediate level requirement/ elective dedicated to on-screen digital image manipulation. This course serves as an introduction of digital media options for expression of creative ideas. Tools such as Flash, streaming media, audio clips and Photoshop are used to produce screen-based fine art. Students develop fundamental web-based skills by creating an uncomplicated web gallery of work. Individual creative intentions and processes, through digital media experimentation, are strongly encouraged. Prerequisites: Foundation Seminar II, Intro to Photoshop, or permission of instructor.
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