Course Criteria

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  • 3.00 Credits

    3 credits Seniors are given semi-private studio space to work on independent projects in their choice of media and subject. They meet as A class each week with Fine Arts faculty to discuss their work. Students interact with each other at group critiques and field trips. Visiting artists give lectures on their work and provide additional feedback. An exhibition in the school's student gallery is required for completion of This course. Prerequisite: 6 credits of advanced Fine Arts Major Courses.
  • 3.00 Credits

    Variable credits The Fine Arts Department offers students A range of fine arts related internships to provide experience and exposure to the professional art world. Pending availability, internships are available for 1 to 3 credits during the Fall, Spring, or Summer sessions. All internships must be approved and supervised by the Fine Arts faculty internship coordinator. An ongoing list of potential internships is available. Interested students should meet with the internship coordinator prior to the semester of internship.
  • 3.00 Credits

    3 credits This coure includes a series of informal lectures and discussions covering A range of professional issues, including job opportunities, further education, exhibiting, grant writing, bookkeeping, taxes, and artists' rights. Guest lecturers. Prerequisite: Senior status or instructor's permission.
  • 3.00 Credits

    3 credits This course deals with large scale, longterm figure paintings. There are three assignments, each one consisting of 8 session poses. Slide lectures, studio visits and museum shows accompany each painting assignment. Prerequisites: Painting I and Figure Painting.
  • 4.00 Credits

    4 credits This course introduces the fundamentals of perception and pictorial organization. Beginning with basic concepts and processes involved in responding objectively to observed subject matter, projects progress to cover compositional and subjective issues. Elements of line, volume, space, and planar analysis of form, value, and perspective in A variety of drawing media are closely examined. Lectures and field trips are part of This course.
  • 3.00 Credits

    3 credits A thorough analysis of the dynamic life of the picture plane and the pictorial field, with reference to historic and contemporary masters. The visual elements of line, value, volume, space, and texture are examined for their formal and expressive behavior. Beginning with black-and-white media,using simple geometric and organic shapes and forms, projects progress to include color, narrative, and some three-dimensional work in a variety of media. Lectures and field trips are included.
  • 1.50 Credits

    1.5 credits This course examines observed and imagined perspective. Perspective is explored as A means of creating space and drama. In addition to making connections between working from observation and imagination-demystifying the mechanics of perspective -the course considers many alternative methods of depicting space. Students' personal viewpoints, interpretations, and formats for communication are emphasized, potentially including comic book page, montage, and folding panels.
  • 1.50 Credits

    1.5 credits Drawing on site is crucial to the work of many artists, from abstract painter Hans Hofmann to anime director Hayao Miyazaki. Many admire the idea of working in the real world, but dread the inconvenience and self-exposure. This class is A survivors guide to all of the above. We will explore the multiple advantages of drawing on site and consider some practical solutions to the problems, which often get in the way. Gene Dorgan is himself A plein air painter, with many years of experience in painting and drawing outdoors.
  • 1.50 Credits

    1.5 credits 3 credits Students will make drawings in various media based on important perceptual concepts and challenges. Most drawings will be made from the nude or clothed human figure and some from the student's imagination. Emphasis will be on developing the skills needed to create sensitively observed and envisioned images and their environments, as well as more imaginative treatments of the figure. Some discussion of anatomy will be covered. Slides and lectures.
  • 3.00 Credits

    3 credits This course explores various themes, materials, concepts and styles of drawing. Students have the opportunity to develop personal, subjective images within the boundaries of assignments. Focus is on the expansion and utilization of drawing skills to access personal vision. Drawing skills developed in first semester support the development of work focusing on Concepts.
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