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Course Criteria
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1.50 Credits
1.5 credits Gesture, axis, grouping of forms and negative space are explored through drawing the human figure. The central concept is finding two-dimensional equivalents for the gestalt of the figure in space. Prerequisite: Foundation or permission of instructor.
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1.50 Credits
1.5 credits This course is an introduction to sculpting in metal. Without having to weld, student learn A variety of alternative techniques to fabricate, form and seam various types of metals. Wire, sheet metal and found objects are some of the materials used. The history of metal sculpture and contemporary trends are discussed. Prerequisite: IFINE 1290 or permission of instructor.
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1.50 Credits
1.5 credits The reductive approach to sculpture is explored in this class, working both figuratively and abstractly. The instructo selects the mediums to be used, which may include traditional mediums such as plaster, stone or wood, or more contemporary ones such as Styrofoam. Works by past and present masters are discussed. Prerequisite: IFINE 1290 or permission of instructor.
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1.50 Credits
1.5 credits The instructor posts A description of This course prior to registration to allow faculty to design classes based on personal 3-D interests and preferred technique, such as metalworking or stone carving. Prerequisites, if any, will also be listed.
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1.50 Credits
1.5 credits This course is an introduction to the concerns and difficulties addressed in painting portraits. Planar structure, form and anatomy, issues of color, and light and paint handling are discussed. Quick, one-sitting and multiple-sitting poses bring up questions about the likeness and character of the sitter, as well as the artist's personal interpetation and design of the painting as A whole. Self-portraiture may also be investigated in this class. Prerequisites: Foundation Figure Drawing and Painting I, or permission of the instructor.
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3.00 Credits
3 credits A beginning level course designed to introduce students to a direct or alla prima approach to painting in oils. Emphasis is on color mixing and the physical manipulation of paint as direct response to visual perception.
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3.00 Credits
3 credits Figurative: Using the human figure as A subject, students further explore the issues of perceptual painting with A deeper investigation of color, light, form, space and design. Abstraction: This class is an introduction to the concerns and concepts of abstract painting. Emphasis is on paint handling, surface, process and the principles of non-objective painting. Prerequisite: IFINE 2200 or permission of instructor.
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3.00 Credits
3 credits This highly structured, advanced level course is intended to expand and refine the technical repetoire of painting processes and manipulations available to students through the exploration of non-objective, abstract painting. The course begins with monochrome painting, explores stripes, the grid and abstract mark-making. It ends with extended, individually designed final projects, undertaken in consultation with the instructor. Prerequisite: IFINE 2200 or permission of instructor.
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1.50 Credits
1.5 credits The goal of This course is to help students gain an understanding of the model, the nature of color, and an expanded knowledge of paint. The tension between the image of the living body and the painted surface is the major focus of investigation. Prerequisites: IFINE 2200 or permission of instructor.
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1.50 Credits
1.5 credits This course offers students the opportunity to address the technical, conceptual and aesthetic concerns that confront the developing artist who is interested in combining different art media. Special emphasis is placed on the development of an individual approach in subject matter. Students are encouraged to develop their sensitivity to A variety of 2 and 3-dimensional materials. This course continues to address formal issues such as compositional structure and properties of color, while introducing alternative methods to image- making. Prerequisite: Foundation or permission of instructor.
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