|
|
|
|
|
|
|
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
-
3.00 Credits
Fall 2007. DAVID COLLINGS. (Same as Gender and Women's Studies 241.)
-
3.00 Credits
Every other year. Spring 2008. AVIVA BRIEFEL. (Same as Gender and Women's Studies 239.)
-
3.00 Credits
Every other year. Spring 2007. AVIVA BRIEFEL. Investigates literary representations of criminality in Victorian England. Of central concern is the construction of social deviancy and criminal types; images of disciplinary figures, structures, and institutions; and the relationship between generic categories (the detective story, the Gothic tale, the sensation novel) and the period's preoccupation with transgressive behavior and crime. Authors may include Braddon, Collins, Dickens, Doyle, Stevenson, and Wells. (Same as Gender and Women's Studies 244.) Prerequisite: One first-year seminar or 100-level course in English or Gender and Women's Studies. Note: This course is offered as part of the curriculum in Gay and Lesbian Studies.
-
3.00 Credits
Romanticism,Lyricism,and Nature
-
3.00 Credits
Spring 2007. ANN KIBBIE. (Same as Gender and Women's Studies 24.)
-
3.00 Credits
Every other year. Spring 2008. ANN KIBBIE. An introduction to English prose fiction of the eighteenth century through the examination of a specific topic shared by a variety of canonical and non-canonical texts. Prerequisite: One first-year seminar or 100-level course in the English department. Note: This course fulfills the pre-1800 literature requirement for English majors.
-
3.00 Credits
Victorian Narratives of Empire
-
3.00 Credits
Spring 2007. WILLIAM WATTERSON.
-
3.00 Credits
Every other year. Fall 2006. GRETCHEN BERG. A writing workshop for contemporary performance that includes introductory exercises in writing dialogue, scenes, and solo performance texts, then moves to the writing (and rewriting) of a short play. Students read plays and performance scripts, considering how writers use image, action, speech, and silence; how they structure plays and performance pieces; and how they approach character and plot. (Same as Theater 260.) Prerequisite: A 100-level course in theater or dance or permission of the instructor.
-
3.00 Credits
Every other year. Fall 2007. MARILYN REIZBAUM. Examines the cruxes of the "modern," and the term's shift into a conceptual category rathethan a temporal designation. Although not confined to a particular national or generic rubric, takes British works as a focus. Organized by movements or critical formations of the modern, i.e., modernisms, psychoanalysis, postmodernism, cultural critique. Readings of critical literature in conjunction with primary texts. Authors/directors/works may include T.S. Eliot, Joyce's Dubliners, Lawrence's Sons and Lovers, Sontag's On Photography, W.G.SebaldĀ”The Natural History of Destruction, Ian McEwen's Enduring Love, Stevie Smith, Kureishi'sMy Son the Fanatic, and Coetzee's White Writing. Prerequisite: One first-year seminar or 100-level course in English or Gender and Women's Studies.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Privacy Statement
|
Terms of Use
|
Institutional Membership Information
|
About AcademyOne
Copyright 2006 - 2024 AcademyOne, Inc.
|
|
|