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Course Criteria
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3.00 Credits
This introductory studio provides an introduction to etching and intaglio processes and the use of these processes to produce a creative graphic image. Students explore a variety of approaches to intaglio printmaking on different plate materials including zinc, copper and Plexiglas. Classes include demonstrations of all processes involved, discussion, and critique of both print content and technical competency. Students are expected to become familiar with the tools, media, processes and history of printmaking. Prerequisites: DSGN 101, DRAW 100.
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3.00 Credits
This course introduces hand lithography, including stone and metal plate processes. Drawing media include litho crayon, litho pencil, tusche and ink wash, and the appropriate etching and printing techniques for each. Classes include discussion and critique of print content and concept together with the technical skills involved in each phase of the lithography process. Prerequisites: DSGN 100, DRAW 101.
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3.00 Credits
This course introduces students to several approaches to relief printmaking and to techniques such as woodcut, linocut, relief etching and wood engraving. Using additive and reductive processes, students work in black and white and in color, learning the registration and printing of multiple blocks. Both traditional and experimental approaches are encouraged. Prerequisites: DSGN 100, DRAW 100.
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3.00 Credits
This course investigates combined monotype techniques including both water- and oil-based media. Registration and printing of black-and-white and color images are demonstrated. Over-printing, stenciling and transfer techniques are explored in both single- and multiple-plate processes. Students working at any level of printmaking, particularly those interested in applying their painting experience to the printed image, develop their personal imagery by exploring the media involved. Prerequisites: DSGN 100, DRAW 101 .
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3.00 Credits
Students in this course are introduced to the rich and varied tradition of printmaking, including woodcuts, engravings, lithographs, silk screening, etchings and other graphic media. From the earliest eastern prints through 21st-century contemporary works on paper, students evaluate movements, trends and relevant developments in both fine art and commercial printmaking and their effects on each other. Prerequisites: ARTH 110, ENGL 123.
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3.00 Credits
This course further explores intaglio printmaking, with an emphasis on color work and strengthening printing skills. Students learn techniques for producing color prints using single- and multiple-plate processes, including hand coloring, a la poupee and handmade separations. A balanced outcome between technical and conceptual development is stressed in discussions and critiques. Prerequisite: PRMK 202.
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3.00 Credits
A further investigation of lithographic printmaking, this course emphasizes color work and the strengthening of printing skills. Students learn methods for producing color prints on stone and metal litho plates. Demonstrated techniques include transfer, monotype combinations, and the registration and printing of multiple plates. Critiques stress the relationship between conceptual concerns and technical processes. Prerequisite: PRMK 203.
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3.00 Credits
By means of traditional hand typesetting and historic book binding techniques, students experience the sequential nature of the printed page. Through a number of printing/ publishing experiments and projects students gain an understanding of the history of printing type, book formats, fundamental terminology; and become familiar with letterpress and other related equipment. Emphasis is on typographic design, beginning bookbinding techniques and portfolio construction. Printing techniques focus on relief printing, intaglio and in some cases include lithography. Prerequisites: PRMK 200, PRMK 202, PRMK 203.
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3.00 Credits
In this course, students learn the basic technical skills of screenprinting and investigate the screen print process. They explore methods to link screenprinting procedures to the development of their personal work. The course covers the fine art and commercial applications of screenprinting in the contemporary art world, including frame construction, registration, multiple color runs, stencil, drawing, and digital output application. Prerequisites: DSGN 100, PRMK 200.
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3.00 Credits
In the diverse mediums of the contemporary print world, letterpress and the book arts hold a unique area explored by all major artists during their careers. Students engage in sophisticated projects of bookbinding, glue-less stitching and unique constructions that define this area of print. Emphasis is on the sequential design of the book pages and alternative possibilities to conceptualizing the artist book. Prerequisite: PRMK 308.
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