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Course Criteria
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3.00 Credits
This course presents the history of musical theater in the United States from the early 18th century to the contemporary era, including cultural icons of American theater history. Through examples and analysis, the course seeks to develop the ability of students to listen to, experience and critique musical theater trends in a discerning manner. The design, fashion, musical structures, theater architecture and musical film genres of the era of study are integral to the lectures and research of the course. Prerequisite: ARTH 110.
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3.00 Credits
This course surveys the development and history of Western theater from the classical era to the present. The influences of theater architecture, technology, politics, literature and major contributors on the evolution of drama are considered. Prerequisite: ARTH 110.
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3.00 Credits
This course surveys the development and history of Western theatre from 1600 to the present, with special attention to the rise of the new media of the 20th century. The influences of theater architecture, technology, politics, literature and major contributors on the evolution of drama are considered. Prerequisite: MPRA 201.
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3.00 Credits
This course offers an intensive examination of movement patterning and the actor's physical presence and choices made in character study. Actors continue to develop their movement creativity and understand pattern choices through exercises, movement explorations, mask work and physical monologue study. Various movement experts are explored with the Alexander Technique as the connective underpinning of this course of study. Prerequisite: MPRA 106.
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3.00 Credits
This course introduces voice production, using the methodology of Kristin Linklater, Cicely Berry and Edith Skinner. The movement element explores the Alexander Technique, focusing on relaxation and creating the free actor tool of physicalization. Prerequisite: MPRA 103.
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3.00 Credits
This comprehensive course explores advanced speech and articulation using contemporary and classical texts. Emphasis is placed on elocution, dialect, interpretation, freeing the natural voice and projection. Prerequisite: MPRA 210.
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3.00 Credits
This course teaches the fundamentals of playwriting, including character development, plot construction, conflict and the writing of believable dialogue. Students study and analyze classic dramas in order to fully understand the various techniques and styles used for the stage. Student scripts are extensively workshopped and critiqued. Prerequisite: ENGL 180.
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3.00 Credits
This course explores the elements of constructive criticism and news writing. The basics of editing and the clarity of thought necessary for clearly communicating ideas and opinions are emphasized. Additional practicum time is required and assigned by the professor. Prerequisite: MPRA 103.
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3.00 Credits
By studying industry standard techniques and professional practices in media criticism, news writing, marketing, casting, unions, and contracts, students in this course explore a variety of writing and editing approaches necessary for clearly communicating ideas and opinions through scholarly criticism, effective news writing techniques and oral adjudication. Prerequisites: MPRA 103, MPRA 201, MPRA 204.
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3.00 Credits
As the center of cultural eclecticism, commerce, diversity, ethnicity, and history, New York offers an exceptional opportunity for students to observe nationally and internationally acclaimed practitioners of the performing arts. This seminar involves a wide spectrum of venues including: live designers, agents, casting directors, photographers, marketing directors, as well as exploring classic theater architecture. Prerequisite: MPRA 103.
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