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Course Criteria
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3.00 Credits
This advanced course deals with complex situations experienced in typical field production. Students address camera shading, lighting and sound gathering, as well as aspects of advanced field production. Prerequisites: FILM 132, SNDS 201.
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3.00 Credits
This course explores current postproduction techniques, analyzing various editing styles and examining current video technology. The philosophy of edit decisions and the management of edit decision lists are developed through exercises and assignments. Specific issues relating to aesthetics of editing, such as editing dialogue, parallel editing, and Brechtian distanciation and reflexivity, are also discussed. Prerequisites: FILM 210, SNDS 201.
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3.00 Credits
The technological and conceptual concerns of video art reflect and are incorporated into contemporary culture. This course introduces students to a vast range of video artists and explores the theoretical and/or political underpinnings of their work. Prerequisites: FILM 210, SNDS 201.
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3.00 Credits
This course addresses the discipline of film editing as an art requiring a historical perspective, a knowledge of contemporary aesthetic trends, and practical experience as well as knowledge of the technical aspects of industry standard hardware and software. This course addresses these issues in a studio setting where students screen and analyze scenes from seminal works as well as scenes of their own choosing. Scenes from an Oscar-winning film are supplied for the editing projects. Prerequisite: FILM 210.
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3.00 Credits
Through critical analysis and hands-on experience, students grapple with the art of documentary production. The class examines the techniques and conceptualizations of established and self-made directors. Production assignments explore documentary techniques so that students develop an understanding of nonfiction objectivity with a critical eye for and appreciation of a genre's implicit subjectivity. Prerequisites: ENGL 180, FILM 210, SNDS 201
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3.00 Credits
The course provides an overview of the major theoretical and critical approaches involved in the production of time-based media and the relationship of these movements to the students' own work. Students are introduced to rudimentary critical theory and asked to apply it to their own artistic interests through a series of video sketches . This class is designed for undergraduate students to develop an understanding of the content of their work through practical studio application of the themes addressed. Prerequisites: ENGL 180, FILM 210.
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3.00 Credits
This course is an investigation of alternative processes in the conceptualization, production, and exhibition of time-based media. By experimenting with both traditional and innovative methods, students approach working with the moving image as a means of artistic expression. Conceptual and theoretical issues, aesthetics, and installation-based venues of presentation are realized through the production of student work. Prerequisites: ENGL 180, FILM 210.
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3.00 Credits
Students in this course create original work for methods of distribution other than those traditionally used by cinema and television. Special attention is given to analyzing new trends in time-based media distribution via the internet, mobile hand held devices such as cell phones and the iPod, and other emerging technologies. Prerequisite: FILM 210.
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3.00 Credits
Using industry standard music video production equipment, as well as pre-production, production, and post production techniques, this course is an exploration of music video production techniques and an overview of music video theory and criticism. By combining theory and hands-on exercises, students are expected to develop the technical, analytical and critical foundations necessary for all music video preproduction, production and postproduction phases. Students acquire the conceptual abilities needed to plan and execute a professional music video. Prerequisite: FILM 132.
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3.00 Credits
Through various exercises, students learn how digital cinematography techniques are utilized in current film and television productions. Students explore and evaluate digital image capture as executed by digital cinematographers and develop necessary digital moving image techniques essential for digital image capture. Prerequisite: FILM 132.
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