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Course Criteria
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4.00 Credits
This course will survey the craft areas of Producing, Production Management, and Production Coordination. Students will learn practical skills as well as larger concepts behind this key area of motion picture creation.
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4.00 Credits
This course is an exploration of the complex intersection between film and a variety of other literary and media texts. Selected poems, novels, short stories, plays, video games, news articles, etc., are analyzed in relation to filmic and animation versions of the same works in order to gain an understanding of the possibilities - and problems - involved in the adaptation of other texts to moving images. Students will also develop screenwriting skills in their own adaptations of other texts to moving images.
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4.00 Credits
Theory and practice of developing artistic and technical skills in directing motion pictures. Special emphasis given to the importance of the director/actor relationship. Major filmmaking projects include scene study work with crews and actors.
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4.00 Credits
Intensive study of a particular film or media arts genre. Analysis and discussion of specific generic formal and stylistic conventions, historical shifts within the genre, and the genre's theoretical foundations. Potential genres include: Science Fiction, American Screen Comedy, Film Noir, Horror Film, Westerns, Animation, Melodrama, etc. May be repeated when genre studied is different.
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4.00 Credits
Detailed study of the work of selected moving image authors including directors, animators, production designers, cinematographers, editors, sound designers, etc. The course analyzes and evaluates a film and media artist's historical context, thematic preoccupations, creative content, and authorial style. The course may stress the work of a single moving image artist or compare elements of two or more artists. Potential course topics include: Alfred Hitchcock, John Ford, Frank Capra, Howard Hawks, Steven Spielberg, Woody Allen, etc.
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4.00 Credits
This course introduces and explores methodological approaches to research in film and media arts. Students are exposed to film and media arts research skills through readings, hands-on instruction, and guest presentations. It introduces students to ways of searching for sources relevant to a variety of academic tasks. It introduces how to document in the MLA style. It assists students in developing independent research proposals and appropriate methodologies for their projects, as well as key ethical issues that could arise.
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1.00 - 3.00 Credits
This is an upper division topical course and may be repeated when the topic changes.
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1.00 - 3.00 Credits
Advanced individualized creative or investigative work in a particular phase of film study. May be taken more than once if content is substantially different.
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4.00 Credits
This service-learning course is a study of curating as the treatment of materials from discovery, acquisition, through interpretation, reformatting, programming, to use, re-use, distribution, exploitation, translation, and screening. The course emphasizes practices of film and media arts exhibition in museums, archives, festivals, and other platforms. It investigates the goals of programming, audiences, as well as the curatorial and programming practices of media arts content. The course will utilize local practitioners as guest presenters from whom students will gain hands-on insights into a variety of practices. Those skills will be utilized to develop group curatorial/programming projects.
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4.00 Credits
This course is an advanced production course, which provides an introduction to and foundation in techniques of double system synchronous sound 16mm filmmaking. The course emphasizes the development of sophisticated creative methods in the area of visual style and storytelling. Through readings, lectures, screenings, demonstrations, and crew-based film projects, students will gain hands-on experience unique to sync sound 16mm filmmaking. Special focus is placed on sound recording methods, black and white cinematography, and advanced lighting techniques. Students will be introduced to 16mm sync sound filmmaking equipment, including specialized sync cameras, camera support, dollies, and other tools of film lighting and grip training.
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