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  • 3.00 Credits

    Gunther This course is designed for students who want to become more familiar with the French media, to keep up with current events and to know more about the differences between the perspectives of French and American news sources with regard to current issues. The course is also intended to improve students' reading, writing, and speaking skills in French. Prerequisite: At least one unit of 206, 207, 208, 209 or above, an SAT II score of 690-800, an AP score of 5, or an equivalent departmental placement score. Distribution: Language and Literature or Social and Behavioral Analysis Semester: Fall Unit: 1.0
  • 3.00 Credits

    Masson Improvement of French oral skills and public speaking skills through the use of acting techniques. Intensive analysis of short literary texts and excerpts from several plays with emphasis on pronunciation, diction, elocution, acting and staging. Prerequisite: At least one unit of 206, 207, 208, 209 or above, an SAT II score of 690-800, an AP score of 5, or an equivalent departmental placement score. Distribution: Language and Literature or Arts, Music, Theatre, Film, Video Semester: Spring Unit: 1.0
  • 3.00 Credits

    Datta Topic for 2009-10: Pleasures of Paris: Paris in the Age of Mass Culture, 1860-1930. In the second half of the nineteenth century, Paris was transformed through the process of haussmannisation from a medieval city to a modern capital known for its entertainments and pleasures. The construction of the new boulevards and monuments, along with the emergence of mass democracy and the popular press, gave rise to a culture of spectacle and display. This interdisciplinary course explores life on the boulevards, Montmartre as a revolutionary space and a place of popular entertainment, the grands magasins, and the café culture enjoyed by American writers and artists during the interwar years. Sites to be visited include the Musée d'Orsay, the Opéra Garnier, the grands magas ins, Montmartre, Père Lachaise ceme-tery, as well as tours o f the grands boule vards and of Left Bank c afés. Not offered every year. Subject to Dean's Office's a pproval. Prerequisite: At least one unit of 206, 207, 208, 209 or above, an SAT II score of 690-800, an AP score of 5, or an equivalent departmental placement score. Application required. Distribution: Language and Literature or Historical Studies Semester: Wintersession Uni
  • 3.00 Credits

    Datta NOT OFFERED IN 2009-10. The French have long been fascinated by the United States, especially since the end of the Second World War. At times, the U.S. has been seen as a model to be emulated in France; more often, it has stood out as the antithesis of French cul-ture and values. This course examines French representations of the United States and of Americans through an examination of key his-torical and literary texts-essays, autobiographies, and fiction-as well as films. Topics to be explored include: representations of Afri-canAmericans in French films (Josephine Baker), French views of Taylorization, the Coca-Cola wars of the 1950s, French-American ten-sions during the Cold War, especially under de Gaulle, as well as more recent debates about Euro Disney, McDonald's, Hollywood, globa-lization, and multiculturalis m. Prerequisite: At least one unit of 206, 207, 208, 209 or above, an SAT II score of 690-800, an equivalent departmental placement score, or an AP score of 5. Distribution: Language and Literature or Historical Studies Semester: N/O Unit: 1.0
  • 3.00 Credits

    Datta NOT OFFERED IN 2009-10. Few experiences in recent French history have marked French collective memory as profoundly as World War II. During these years, the French dealt not only with the trauma of defeat and the German Occupation, but also with the divisive lega-cy of the collaborationist Vichy regime, headed by Marshal Philippe Pétain, a revered World War I hero. Memories of the war have contin-ued to mark the public imagination to the present day, manifesting themselves in the various arenas of French national life. This course examines the history and memory of the French experience of World War II through historical documents, memoirs, films, literature, and songs. Does not count toward the minimum major in French. Prerequisite: None Distribution: Historical Studies Semester: N/O Unit: 1.0
  • 3.00 Credits

    Lydgate The legendary sixth arrondissement neighborhood as a cultural crucible in post-Liberation Paris. Saint-Germain-des-Prés as the locus of an unprecedented concentration of literary and artistic talent after 1945: existentialists, writers, artists, café intellectuals, and nonconform-ists. The discovery of jazz and American popular culture. Saint-Germain and the myth of the Left Bank. Study of texts by Sartre, Camus, Simone de Beauvoir, Boris Vian, Raymond Queneau; songs by Juliette Gréco and others; newsreel, film and audio documents of the pe-ri od. Prerequisite: At least one unit of 206, 207, 208, 209 or above, an SAT II score of 690-800, an equivalent departmental placement score, or an AP score of 5. Not open to students who have taken 228 in Wintersession 2006. Distribution: Language and Literature or Arts, Music, Theatre, Film, Video Semester: Spring Unit: 1
  • 3.00 Credits

    Lydgate NOT OFFERED IN 2009-10. Innovative writers in sixteenth-century France and the ideas and forms of expression they explored in the early decades of printing. The persistence of oral culture and the search for a voice in print; the triumph of French over Latin as a literary language of subtlety and power; the collisions of propaganda and censorship in a century torn by religious strife; the emergence of new audiences and new strategies of narration and reading. Readings in prose works by Rabelais, Montaigne, Calvin, Marguerite de Navarre; poetry by du Bellay, Ronsard, and Louise Labé. Periodic reference to resources of the Rare Books Collection in the College library. Prerequisite: 211 (or for classes of 2010-2011 only, 210 may be substituted) and one additional unit, 212 or above. Distribution: Language and Literature Semester: N/O Unit: 1.0
  • 3.00 Credits

    Bilis NOT OFFERED IN 2009-10. Prerequisite: 211 (or for classes of 2010-2011 only, 210 may be substituted) and one additional unit, 212 or above. Distribution: Language and Literature or Historical Studies Semester: N/O Unit: 1.0
  • 3.00 Credits

    Mistacco NOT OFFERED IN 2009-10. Drawing from feminist inquiries into the politics of exclusion and inclusion in literary history, the course ex-amines, in dialogue with masterpieces authored by men, novels by major women writers of the period. Though much admired in their time, these novels were subsequently erased from the pages of literary history and rediscovered only in the late-twentieth century. In this course, we will reconsider this particular literature of female dissent along with key novels by men as part of a crisis in legitimacy that led to the French Revolution. Works by Prévost, Claudine-Alexandrine de Tencin, Fran oise de Graffigny, Marie-Jeanne Riccoboni, Rousseau, Diderot, Laclos, and Isabelle de Charrière . Prerequisite: 211 (or for classes of 2010-2011 only, 210 may be substituted) and one additional unit, 212 or above. Distribution: Language and Literature Semester: N/O Unit: 1.0
  • 3.00 Credits

    Petterson NOT OFFERED IN 2009-10. This course will examine the confrontation between literature and inhumanity through the French literature, poetry, and film of the early twentieth century. Poetry by Guillaume Apollinaire, Robert Desnos, André Breton, Francis Ponge, and René Char, films by Luis Bu uel, and novels by André Gide, Jean-Paul Sartre, and André Malraux all serve to illustrate the profound crisis in human values that defined and shaped the twentieth centu ry. Prerequisite: 211 (or for classes of 2010-2011 only, 210 may be substituted) and one additional unit, 212 or above. Distribution: Language and Literature Semester: N/O Unit: 1.
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