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CIN U488: Film and Text
4.00 Credits
Northeastern University
Studies either the similarities and differences between literary texts and film versions of those texts or the interrelations between film and literature as means of cultural expression during a specific historical period. Students might compare Doctorow's _Book of Daniel_ to the film version, _Daniel_, or they might study books and movies of a period like the sixties that reflect the spirit of the era (_Catch-22_, _The Graduate_).
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CIN U488 - Film and Text
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CIN U489: Shakespeare on Film
4.00 Credits
Northeastern University
Examines the various treatments of Shakespeare's plays on film. Treats the technical aspects of film and how these are used by directors to transfer Shakespeare's plays from the stage to the screen.
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CIN U489 - Shakespeare on Film
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CIN U490: Cinema Studies Elective
4.00 Credits
Northeastern University
Offers elective credit for courses taken at consortium institutions.
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CIN U490 - Cinema Studies Elective
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CIN U491: Cinema Studies Elective
4.00 Credits
Northeastern University
Offers elective credit for courses taken at consortium institutions.
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CIN U491 - Cinema Studies Elective
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CIN U492: Cinema Studies Elective
4.00 Credits
Northeastern University
Offers elective credit for courses taken at consortium institutions.
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CIN U492 - Cinema Studies Elective
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CIN U493: Cinema Studies Elective
4.00 Credits
Northeastern University
Offers elective credit for courses taken at consortium institutions.
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CIN U493 - Cinema Studies Elective
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CIN U494: Cinema Studies Elective
4.00 Credits
Northeastern University
Offers elective credit for courses taken at consortium institutions.
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CIN U494 - Cinema Studies Elective
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CIN U500: Modernism/Modernity and Film
4.00 Credits
Northeastern University
Offers an interdisciplinary course that traces the modernist impulse in literature, film, art, and architecture from the early twentieth century to the multifaceted development of postmodernism at the end of the century. Emphasizes the relationship of art to society, and studies the way in which modernism's revolutionary strategies required constant innovation and renewal in the face of such challenges as fascism, the Cold War, and postcolonial struggles for national identity. Students complete individual projects (creative or research paper) and also contribute to the Web site Boston modernism (http://www.atsweb.neu.edu/bostonmodernism). Counts as a capstone course for the cinema studies dual major.
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CIN U500 - Modernism/Modernity and Film
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CIN U508: Cuban History through Film-International Study
4.00 Credits
Northeastern University
Offers an overview of Cuban history using Cuban films. Covers the colonial period through times of slavery and the nineteenth-century struggles for independence. Proceeds to the twentieth century, first the republican period (1902-1959), then the revolutionary period (1959 to the present). Touches on topics such as colonialism, slavery, race, women in Cuban history, the anti-Batista struggles of the fifties, underdevelopment, exile, homosexuality, Cuba in the "Special Period" (1991-2005), problems of personal freedom, and identity in revolutionary societies. Also includes visits to historical museums, buildings, monuments, and parts of Havana that reveal the country's histo
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CIN U508 - Cuban History through Film-International Study
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CIN U520: Television Studio Production
4.00 Credits
Northeastern University
Covers the creative and technical elements of video production, camera operation, audio production, floor direction, graphics editing, lighting, picture compositions, and directing methods.
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CIN U520 - Television Studio Production
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