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COM FT 515: International TelevisionSurvey
3.00 Credits
Boston University
of telecommunications in various nations; analysis of the impact of cultural, economic, demographic, and political factors on both their internal and external operation. Also explored is the dynamic international telecommunications field, its impact on understanding and commerce between nations, and its meaning for the United States. 4 cr, offered occasionally.
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COM FT 515 - International TelevisionSurvey
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COM FT 517: Television ManagementPrereq
3.00 Credits
Boston University
COM FT 303. The responsibilities associated with management positions at radio and television stations and cable outlets. Lectures, readings, case studies, and visits from persons now working in these positions develop the student's understanding of a variety of managerial functions and the challenges these functions entail. 4 cr, 2nd sem.
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COM FT 517 - Television ManagementPrereq
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COM FT 522: Writing Situation ComediesPrereq
3.00 Credits
Boston University
COM FT 314 or COM FT 310. Intensive exploration in the key elements of the sitcom: character development, story structure, pitching, formats, writing, and polishing. Successful participants will have a completed ?pec script for the current television market. 4 cr, either sem.
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COM FT 522 - Writing Situation ComediesPrereq
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COM FT 523: Understanding Marketing and SalesA
3.00 Credits
Boston University
comprehensive look into the business of television and radio sales and marketing. Respected professionals occasionally guest-lecture on this important and ever-changing area. 4 cr, either sem.
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COM FT 523 - Understanding Marketing and SalesA
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COM FT 525: Producing IIPrereq
3.00 Credits
Boston University
COM FT 325; grad prereq: COM FT 727. Course takes the student through the process of creating a fictional program or film. The course covers comedy and drama series and movies-of-the-week from development through production and postproduction. The student learns the complexities of the industry, the layers of decision makers to be dealt with, the place of agents, the nature of negotiation, and the requirements of sponsors, networks, and others for commercial time or commercial intent. 4 cr, either sem.
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COM FT 525 - Producing IIPrereq
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COM FT 526: Directing the Theatrical and Television FilmPrereq
3.00 Credits
Boston University
COM FT 456 or CFA DR 123 or consent of the instructor. Students learn all aspects of directing, including script analysis, preproduction planning, casting and rehearsing actors, shooting styles, blocking, composition and camera placement, working with the editor, and use of the musical score. 4 cr, either sem.
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COM FT 526 - Directing the Theatrical and Television FilmPrereq
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COM FT 527: LightingPrereq
4.00 Credits
Boston University
COM FT 351. An intensive combination of lecture, demonstration, and hands-on work in lighting. Film and video systems, from the camera to the transfer, are explained, explored, and used. Guest lecturers and field trips to production facilities and shooting locations are part of this course. 4 cr, either sem.
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COM FT 527 - LightingPrereq
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COM FT 533: American Independent FilmA
3.00 Credits
Boston University
survey of cinema from the past three decades originating outside of the studio system. Though the screening list changes from semester to semester, filmmakers to be dealt with include Elaine May, Barbara Loden, John Cassavetes, Robert Kramer, Mark Rappaport, and Charles Burnett, among others. 4 cr, 2nd sem.
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COM FT 533 - American Independent FilmA
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COM FT 535: Film AnalysisFocuses
3.00 Credits
Boston University
on a particular director (Godard, Hitchcock, Altman, Losey, Bergman, etc.), period, or style ( film noir, suspense), and studies how meaning is structured and perceived in the screen image. Includes viewing and analysis of narrative strategies in selected films. 4 cr, 1st sem.
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COM FT 535 - Film AnalysisFocuses
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COM FT 536: Film Theory and CriticismAn
3.00 Credits
Boston University
introduction to classical and contemporary film and media theory. Topics include montage theory, realism, structuralism, post-structuralism, semiotics, psychoanalysis, phenomenology, and cultural studies. The course includes screenings of films that have contributed to critical debate and those that challenge theoretical presuppositions. 4 cr, 2nd sem.
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COM FT 536 - Film Theory and CriticismAn
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