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Course Criteria
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3.00 Credits
COM FT 402 or 403. Emphasizes the conceptual aspects of advanced program development and production design. Students produce longer form, single camera productions. Advanced workshops and class critiques of various stages of production provide support for students' independent creative works. 4 cr, 2nd sem.
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3.00 Credits
COM FT 403. Enrollment limited to sixteen seniors who have done outstanding work in COM FT 403 Film Production II. Students complete a total of 120 minutes of short films during the spring semester. Conferences and workshops provide support and guidance, emphasizing the thorough execution of every step of preproduction, principal photography, and postproduction. Maximum running time for each film is fifteen minutes; there is no set minimum. 4 cr, 2nd sem.
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3.00 Credits
consent of instructor. Individual, supervised study for advanced students wishing to undertake a screenplay or research project, or to develop an in-depth reading program. 4 cr, either sem.
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2.00 Credits
senior standing and an overall GPA of 3.0. Opportunity for students to gain professional experience at television and radio stations, film and video production houses, and other media institutions. Responsibilities vary. Availability depends on market needs. 2 cr and 4 cr internships available, either sem.
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3.00 Credits
COM FT 351 or COM FT 353. A comprehensive technical examination and creative analysis of sound as an emotional motivator and major storytelling component in both fiction and nonfiction films. Covers location sound recording, acoustic theory, track building, foley and dialog replacement, and mix preparation, as well as a discussion of music editing and composition. Introduces a variety of postproduction pathways and technologies, with current digital innovations in the field and in audio postproduction, as well as providing an ongoing workshop for solving editing and track-building problems. 4 cr, either sem.
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3.00 Credits
COM FT 353. This course teaches all aspects of video post production including window dubbing, rough cuts, A/B editing, nonlinear editing, digital graphics, digital sound, and the integration of all of these processes and technologies that apply to the postproduction completion of video projects. Familiarity with Macintosh computers is desirable. Experience with video time code editing is a necessity. 4 cr, either sem.
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3.00 Credits
COM FT 325; 351 or 353; 504 or 565. Students will hone their producing skills as they develop projects from proposals to pilots. Proposals-brought to the table by faculty, outside clients, and students-will include documentaries, dramas, series, children's programs, and PSA's for local TV stations. 2 or 4 cr, either se
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3.00 Credits
COM FT 353. Continuation of the study of television studio production, and the development of those formats that are best suited to it. Emphasizes the creative use of studio technology. 4 cr, either sem.
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1.00 Credits
COM FT 310, 314, or 709. Deals with the process and techniques of writing a dramatic series for network and cable television. Students will write a full one-hour script. Lectures will be given on one-hour story structure, genres, and character development. View and analyze series from the past and present focusing on character development and relationships, story structure, and plot lines. 4 cr, 1st sem.
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3.00 Credits
COM FT 522 or COM FT 512. Explores the development and creation of the television series pilot. Each student will pitch a concept and write a treatment and a finished pilot script for an original series, either comedy or drama. Emphasis on premise, story structure, characterization, and originality. Lectures, screenings, script readings, written assignments, and critiques. 4 cr, either sem.
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