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Course Criteria
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3.00 Credits
of all students in the Film Program. An introduction to the art of film. How do films make meaning How do audiences understand them Explores some of the ways in which movies teach us new ways of knowing. May be taken in the sophomore year. 4 cr, either sem.
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3.00 Credits
of all students in the Television Program. Provides a foundation of knowledge about the origins and development of television as a medium of communication. What makes television special Why is it revolutionary Students examine major turning points in the growth of the medium through experiencing its most significant programs, including early radio, early live drama, the first presidential debates, and innovative programs. 4 cr, either sem.
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3.00 Credits
COM FT 353. Continuation of the study of digital video field production and postproduction editing. Students develop, produce, direct, shoot, record, and edit longer form, single-camera, location productions. Emphasis on the development of storytelling in narrative and nonfiction production. 4 cr, either sem.
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2.00 Credits
grade of B - or better in COM FT 351. Working in small crews and using sophisticated production equipment, students write and produce short, synchronous sound and color films. Students may choose to work in either narrative or documentary styles, with the majority of shooting done on location. Students pay for film stock and processing; the department provides state-of-the-art 16mm cameras and digital postproduction facilities. Two-hour production workshops are added to weekly course hours to increase students' familiarity with production equipment. 4 cr, either sem.
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3.00 Credits
COM FT 310. Each student will develop and write the first act of a feature-length screenplay. First-draft material will be discussed in class and will be revised for the final project. Students will be advised to either work on a major rewrite of act one or complete the remainder of the script. 4 cr, either sem.
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3.00 Credits
COM FT 411. Each student will develop and write a feature-length screenplay. First-draft material will be discussed in class and will be revised for the final project. 4 cr, either sem.
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3.00 Credits
course introduces television and film undergraduates to the tools and techniques used to produce multimedia works. Students learn multimedia concepts, elements, platforms, and production. Training in the use of computer-based hardware and software for multimedia creation. 4 cr, either sem.
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3.00 Credits
the director's knowledge and understanding of actors as the "human equipment " of filmmaking through direct acting experience. Students learn the language and tools of the craft through sensory exercises, improvisation, text analysis, and scene study. 4 cr, either sem
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3.00 Credits
vary with the instructor. Directors discussed include D. W. Griffith, Charlie Chaplin, Buster Keaton, King Vidor, Frank Borzage, Victor Fleming, Howard Hawks, Frank Capra, Alfred Hitchcock, John Ford, John Huston, Elia Kazan, George Cukor, Orson Welles, Robert Altman, John Cassavetes, and Woody Allen. 4 cr, 1st sem.
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3.00 Credits
vary with the instructor. Directors discussed include Carle Dreyer, Satyajit Ray, Sergei Eisenstein, V. I. Pudovkin, Jean Renoir, Rene Clair, Andrzej Wajda, Jean-Luc Godard, Michelangelo Antonioni, Federico Fellini, Ingmar Bergman, Akira Kurosawa, Bernardo Bertolucci, and Luis Bunuel. 4 cr, 2nd sem.
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