[PORTALNAME]
Toggle menu
Home
Search
Search
Search Transfer Schools
Search for Course Equivalencies
Search for Exam Equivalencies
Search for Transfer Articulation Agreements
Search for Programs
Search for Courses
PA Bureau of CTE SOAR Programs
Transfer Student Center
Transfer Student Center
Adult Learners
Community College Students
High School Students
Traditional University Students
International Students
Military Learners and Veterans
About
About
Institutional information
Transfer FAQ
Register
Login
Course Criteria
Add courses to your favorites to save, share, and find your best transfer school.
CMST 28100: Issues in Film Music
3.00 Credits
University of Chicago
This course explores the role of film music in the history of cinema. What role does music play as part of the narrative (source music) and as nondiegetic music (underscoring) How does music of different styles and provenance contribute to the semiotic universe of film And how did film music assume a central voice in twentieth-century culture We study music composed for films (original scores) as well as pre-existent music (such as popular and classical music). The twenty films covered in the course may include classical Hollywood cinema, documentaries, foreign (including non-Western) films, experimental films, musicals, and cartoons. This course typically is offered in alternate years. B. Hoeckner. Autumn.
Share
CMST 28100 - Issues in Film Music
Favorite
CMST 28200 /38200: Nonfiction Film:Representations and Performance
3.00 Credits
University of Chicago
This course attempts to define nonfiction cinema by looking at the history of its major modes (e.g., documentary, essay, ethnographic, agitprop film), as well as personal/autobiographical and experimental works that are less easily classifiable. We explore some of the theoretical discourses that surround this most philosophical of film genres (e.g., ethics and politics of representation; shifting lines between fact and fiction, truth and reality). The relationship between the documentary and the state is examined in light of the genre's tendency to inform and instruct. We consider the tensions of filmmaking and the performative aspects in front of the lens, as well as the performance of the camera itself. Finally, we look at the ways in which distribution and television effect the production and content of nonfiction film. J. Hoffman. Spring.
Share
CMST 28200 /38200 - Nonfiction Film:Representations and Performance
Favorite
CMST 28500 /48500: History of International Cinema I:Silent Era
2.00 Credits
University of Chicago
PQ: Prior or concurrent enrollment in CMST 10100. This is the first part of a two-quarter course. Taking these courses in sequence is strongly recommended but not required. This course introduces what was singular about the art and craft of silent film. Its general outline is chronological. We also discuss main national schools and international trends of filmmaking. J. Lastra. Autumn.
Share
CMST 28500 /48500 - History of International Cinema I:Silent Era
Favorite
CMST 28600 /48600: History of International Cinema II:Sound Era to 1960
3.00 Credits
University of Chicago
PQ: Prior or concurrent registration in CMST 10100 required; CMST 28500/48500 strongly recommended. The center of this course is film style, from the classical scene breakdown to the introduction of deep focus, stylistic experimentation, and technical innovation (sound, wide screen, location shooting). The development of a film culture is also discussed. Texts include Thompson and Bordwell's Film History: An Introduction; and works by Bazin, Belton, Sitney, and Godard. Screenings include films by Hitchcock, Welles, Rossellini, Bresson, Ozu, Antonioni, and Renoir. Y. Tsivian. Spring.
Share
CMST 28600 /48600 - History of International Cinema II:Sound Era to 1960
Favorite
CMST 28800: Introduction to Digital Imaging
3.00 Credits
University of Chicago
PQ: ARTV 10100 or 10200, and consent of instructor. Using the Macintosh platform, this course introduces the use of digital technology as a means of making visual art. Instruction covers the Photoshop graphics program and digital imaging hardware (i.e., scanners, cameras, storage, printing). In addition, we address problems of color, design, collage, and drawing. Topics of discussion may include questions regarding the mediated image and its relationship to art, as well as the examination of what constitutes the "real" in contemporary culture . Lab fee $70. J. Salavon. Winter.
Share
CMST 28800 - Introduction to Digital Imaging
Favorite
CMST 28900 /38900: Introduction to Video
3.00 Credits
University of Chicago
PQ: ARTV 10100 or 10200, or consent of instructor. This course is an introduction to video making with digital cameras and nonlinear (digital) editing. Students produce a group of short works, which is contextualized by viewing and discussion of historical and contemporary video works. Video versus film, editing strategies, and appropriation are some of the subjects that are part of an ongoing conversation. Lab fee $70. C. Sullivan, S. Wolniak. Winter, Spring.
Share
CMST 28900 /38900 - Introduction to Video
Favorite
CMST 28903: Video
3.00 Credits
University of Chicago
PQ: ARTV 23800 or consent of instructor. This is a production course geared towards short experimental works and video within a studio art context. Lab fee $70. C. Sullivan. Spring.
Share
CMST 28903 - Video
Favorite
CMST 28920 /38920: Introduction to Film Production
3.00 Credits
University of Chicago
This intensive lab introduces 16mm film production, experimenting with various film stocks and basic lighting designs. The class is organized around a series of production situations with students working in crews. Each crew learns to operate and maintain the 16mm Bolex film camera and tripod, as well as Arri lights, gels, diffusion, and grip equipment. The final project is an in-camera edit. Lab fee $100. J. Hoffman. Autumn.
Share
CMST 28920 /38920 - Introduction to Film Production
Favorite
CMST 29700: Reading and Research Course
3.00 Credits
University of Chicago
PQ: Consent of faculty adviser and Director of Undergraduate Studies. Students are required to submit the College Reading and Research Form. This course may be counted toward distribution requirements for the major. Autumn, Winter, Spring.
Share
CMST 29700 - Reading and Research Course
Favorite
CMST 29800: Senior Colloquium
3.00 Credits
University of Chicago
PQ: CMST 10100. Required of students majoring in Cinema and Media Studies. This seminar is designed to provide fourth-year students with a sense of the variety of methods and approaches in the field (e.g., formal analysis, cultural history, industrial history, reception studies, psychoanalysis). Students present material related to their BA project, which is discussed in relation to the issues of the course. J. Lastra. Autumn.
Share
CMST 29800 - Senior Colloquium
Favorite
First
Previous
56
57
58
59
60
Next
Last
Results Per Page:
10
20
30
40
50
Search Again
To find college, community college and university courses by keyword, enter some or all of the following, then select the Search button.
College:
(Type the name of a College, University, Exam, or Corporation)
Course Subject:
(For example: Accounting, Psychology)
Course Prefix and Number:
(For example: ACCT 101, where Course Prefix is ACCT, and Course Number is 101)
Course Title:
(For example: Introduction To Accounting)
Course Description:
(For example: Sine waves, Hemingway, or Impressionism)
Distance:
Within
5 miles
10 miles
25 miles
50 miles
100 miles
200 miles
of
Zip Code
Please enter a valid 5 or 9-digit Zip Code.
(For example: Find all institutions within 5 miles of the selected Zip Code)
State/Region:
Alabama
Alaska
American Samoa
Arizona
Arkansas
California
Colorado
Connecticut
Delaware
District of Columbia
Federated States of Micronesia
Florida
Georgia
Guam
Hawaii
Idaho
Illinois
Indiana
Iowa
Kansas
Kentucky
Louisiana
Maine
Marshall Islands
Maryland
Massachusetts
Michigan
Minnesota
Minor Outlying Islands
Mississippi
Missouri
Montana
Nebraska
Nevada
New Hampshire
New Jersey
New Mexico
New York
North Carolina
North Dakota
Northern Mariana Islands
Ohio
Oklahoma
Oregon
Palau
Pennsylvania
Puerto Rico
Rhode Island
South Carolina
South Dakota
Tennessee
Texas
Utah
Vermont
Virgin Islands
Virginia
Washington
West Virginia
Wisconsin
Wyoming
American Samoa
Guam
Northern Marianas Islands
Puerto Rico
Virgin Islands