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  • 3.00 Credits

    This course meets the critical/intellectual methods course requirement for students who are majoring in Comparative Literature. Moving beyond the modern perception of lyric as a direct expression of the poet's subjectivity, this course confronts the remarkable longevity of poetic genres that have remained in use over centuries and millennia, such as the hymn, ode, pastoral, elegy, epistle, and epigram. What kept these classical genres alive for so long and, conversely, what made them serviceable to poets working in very different cultural milieus In an effort to develop a theory and a history of Western lyric genres, we sample such poets as Sappho, Horace, Marvell, H lderlin, Whitman, Mandel'shtam , Brodsky, and Milosz. Texts in English. Optional discussion sessions offered in the original (i.e., Greek, Latin, German, Russian) . B. Maslov. Spring.
  • 0.00 Credits

    PQ: Five quarters of Latin or equivalent, or option to audit. This course is a study of one of the most influential works in the whole history of Western political thought-a primary foundation for modern ideas of global justice and the just war. We understand it in the context o f Cicero ? thought and its background in Hellenistic philosophy, and we also do readings in translation that show its subsequent influence. Optional translation sessions held in first hour of each clas s. M. Nussbaum. Winter
  • 3.00 Credits

    This course meets the critical/intellectual methods course requirement for students who are majoring in Comparative Literature. This course examines conceptions of desire in ancient China and ancient Greece through an array of early philosophical, literary, historical, legal, and medical texts (e.g., Mencius, Sima Qian, Book of Songs, Plato, Sappho). We attempt not only to bring out the cultural specificities of ancient erotic experience but also to make visible the historical and geopolitical contingencies of our own methods of reading. To do so, we explore the broader cultural background of the two ancient periods, and engage with theoretical debates on the history of sexuality, feminist and queer studies, and intercultural comparative studies. T. Chin. Winter.
  • 3.00 Credits

    This general survey of Roman material culture uses the archaeological evidence complementary to literary sources in order to delineate the development of Roman society from the Early Republic down to the first sacking of Rome in 410 CE. In relationship to the political and social processes that shaped their formal development, we discuss urban planning; public monuments; political imagery; and the visual world of Roman cities, houses, and tombs. E. Mayer. Winter.
  • 3.00 Credits

    The goal of this annual seminar of changing context is to promote innovative course design. Examples of past topics are gender, death, violence, and law in the ancient world. Spring.
  • 3.00 Credits

    This course provides a survey of the most important historical writers of the Greek and Roman world. We read extensive selections from their work, discussing the development of historiography as a literary genre as well as the development of history as a discipline in the ancient world. Finally, we consider the implications these findings hold for our ability to use the works of Greek and Roman historical writers in our own efforts to construct narratives of the past. Texts in English. C. Hawkins. Spring.
  • 3.00 Credits

    This course examines the social, political, cultural, and religious functions of ancient myth, as well as the various theoretical interpretations of myth that have been proposed in a variety of fields in order to investigate what myth can tell us about the ancient Greeks and Romans as well as those who regard themselves as the inheritors of classical culture. Spring.
  • 3.00 Credits

    PQ: Students are required to submit the College Reading and Research Course Form. Autumn, Winter, Spring.
  • 3.00 Credits

    PQ: Fourth-year standing. This seminar is designed to teach students the research and writing skills necessary for writing their BA paper. Lectures cover classical bibliography, research tools, and electronic databases. Students discuss research problems and compose preliminary drafts of their BA papers. They are expected to exchange criticism and ideas in regular seminar meetings with the preceptor and with other students who are writing papers, as well as to take account of comments from their faculty readers. The grade for the BA Paper Seminar is identical to the grade for the BA paper and, therefore, is not reported until the BA paper has been submitted in Spring Quarter. The grade for the BA paper depends on participation in the seminar as well as on the quality of the paper. Students may register for this seminar in either Autumn Quarter or Winter Quarter, but they are expected to participate in meetings throughout both quarters. Autumn, Winter.
  • 3.00 Credits

    PQ: Consent of instructor. This course is a practical introduction to the styles of classical Latin prose. After a brief and systematic review of Latin syntax, we combine regular exercises in composition with readings from a variety of prose stylists. Our goal is to increase the students' awareness of the classical artists skill and also their own command of Latin idiom and sentence structure . Not offered 20 0 9-10; will be offered 2 0 10-1
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