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Institution:
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New York University
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Subject:
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Description:
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This course (different every time) introduces students to the specific choices that a director must make to transform the "printed word" into a visual auditory experience. For example, point of view becomes a challenge of camera shots; a described room becomes a matter of lighting, color, and sound; and the sense of time becomes a product of editing, rhythm, music, and splicing. Throughout the course, we pit a director's view against an author's view to examine how the same story may express different agendas, depending on the rendering. Works may include Euripides' Medea (Pasolini), Nabokov's Lolita (Kubrick), Tennessee Williams's A Streetcar Named Desire (Kazan), Paul Schrader's Taxi Driver (Scorsese), Virginia Woolf 's Orlando (Potter), and Thomas Hardy's Tess (Polanski). Creative exercises required along with three five-page papers.
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Credits:
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4.00
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Credit Hours:
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Prerequisites:
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Corequisites:
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Exclusions:
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Level:
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Instructional Type:
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Lecture
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Notes:
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Additional Information:
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Historical Version(s):
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Institution Website:
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Phone Number:
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(212) 998-1212
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Regional Accreditation:
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Middle States Association of Colleges and Schools
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Calendar System:
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Semester
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