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Institution:
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University of Notre Dame
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Subject:
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English
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Description:
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In his masterpiece, A Season in Hell, French visionary and boy-genius Arthur Rimbaud proclaimed: "One must be absolutely modern." This remained at the core of the varied, radical artistic explorations that form the category "Modern Poetry." In the late 19th century and the first half of the 20th century, to be modern meant to keep up with and try to respond to vertigo-inducing, often brilliant and often shocking changes in technology and politics, including the invention of trains and planes, films and cars, and the horrific violence of two world wars. We will study how the intense and greatly varied impulse of modern poetry took shape in the U.S., from Walt Whitman through Modernism, to the upheavals of the 1960s. In the process, we will discuss such still pervasive questions as what is the value of the new? Must the new always be shocking? Can art be political? Should it be? We will also problematize our own positions as historians of this movement. What thinkers, writers and administrators have determined our views of these poets? Is poetry still "modern"? What does "modern" mean today?
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Credits:
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3.00
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Credit Hours:
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Prerequisites:
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Corequisites:
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Exclusions:
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Level:
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Instructional Type:
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Lecture
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Notes:
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Additional Information:
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Historical Version(s):
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Institution Website:
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Phone Number:
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(574) 631-5000
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Regional Accreditation:
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North Central Association of Colleges and Schools
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Calendar System:
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Semester
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