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Institution:
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University of Chicago
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Subject:
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Description:
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This course considers Soviet "montage cinema" of the 1920s in the context of coeval aesthetic projects in other arts. How di d Eisenstein ? theory and practice of "intellectual cinema" connect to Fernand Leger and Vladimir Tatlin What did Meyerhol d's "biomechanics" mean for filmmakers Among other figures and issues, we address Dziga Vertov and Constructivism, German Expressionism and Aleksandr Dovzhenko, and Formalist poetics and FEKS directors. Film screenings are three hours a week in addition to scheduled clas s time. Y. Tsivian. S
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Credits:
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3.00
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Credit Hours:
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Prerequisites:
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Corequisites:
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Exclusions:
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Level:
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Instructional Type:
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Lecture
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Notes:
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Additional Information:
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Historical Version(s):
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Institution Website:
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Phone Number:
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(773) 702-1234
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Regional Accreditation:
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North Central Association of Colleges and Schools
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Calendar System:
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Quarter
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