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Institution:
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Bates College
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Subject:
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Description:
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The late 1960s is recognized as a period of diverse and ill-fated revolutions and revolutionaries. From the 1967 assassination of Che Guevara to the 1968 invasion of Prague onward, film has been used to represent heroes, martyrs, and the circumstances surrounding these events. More recently, a variety of cinematographers have produced films as acts of dissidence, presenting a counter-discourse to the hegemonic collage of prevailing capitalistic values. In this course students examine film as a tool of revolutionary negotiation. They analyze the transformation and regional adaptations of representations of dissidence since the 1960s, and they look at early revolutionary creativity within the genre as well as the social functions adopted by Third Cinema. Prerequisite(s): one 200-level Spanish literature course. Not open to students who have received credit for Spanish 354. D. George, C. Aburto Guzmán.
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Credits:
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3.00
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Credit Hours:
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Prerequisites:
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Corequisites:
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Exclusions:
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Level:
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Instructional Type:
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Lecture
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Notes:
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Additional Information:
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Historical Version(s):
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Institution Website:
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Phone Number:
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(207) 786-6000
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Regional Accreditation:
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New England Association of Schools and Colleges
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Calendar System:
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Four-one-four plan
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